SKU: 45044650157

AGAC 2024 Top 25 Finalist - Themba Mkhangeli - Vincent Ink Gogh

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AGAC 2024 Top 25 Finalist - Themba Mkhangeli - Vincent Ink GoghArtist Name: Themba Mkhangeli Title: Vincent Ink Gogh Size: 690. 00mm x 890. 00mm Medium Ballpoint pen on paper Framed: Framed Price: R52,166 Artist Bio: Themba Mkhangeli is a visual artist and environmentalist with a penchant of entomology. He is a multi winning awards ballpoint pen or visual artist. He grew up in Mthatha in the Eastern Cape, in a small village called Julukuqu where his roots lie. He currently based an area dubbed "one of the

Artist Name: Themba Mkhangeli
Title: Vincent Ink Gogh
Size: 690.00mm x 890.00mm
Medium Ballpoint pen on paper
Framed: Framed
Price: R52,166
Artist Bio:

Themba Mkhangeli is a visual artist and environmentalist with a penchant of entomology. He is a multi-winning awards ballpoint pen or visual artist. He grew up in Mthatha in the Eastern Cape, in a small village called Julukuqu where his roots lie. He currently based an area dubbed "one of the roughest areas in South Africa, Nyanga East". This where most young people resort to teenage pregnancy, crime and drugs abuse when things don't go their way.

He is an aspiring artist who focuses mostly on the human form, particularly portraits. He started doing art at the age of five, but he realized his talents in Grade 6 while doing school projects. The older children encouraged him and from the environment his confidence grew.

His personal goal is to excel in all the aspects of art and to be recognized as a serious artist in the future. His ambition is to be represented in public, corporate and private galleries all over the world.

He plans to do art for a living since he believes “Art Is Life”. His dream is to own art studio and gallery and to serve as a mentor to young people, particularly from the poorer black communities. Acquiring artistic knowledge and skills will provide a positive attitude, confidence and a much-needed source of income.

He grew up without any formal art training, but after completing Matric he decided to follow his passion in art. He truly believes one needs to do what you love.

Inspiration

This drawing depict an old master of painting Vincent van Gogh. I tried my best to rebuild the portrait from post impressionism into hyperrealism to fit my style of drawing or painting, also to make it fresh and unique from what I have seen before. Van Gogh is one of the masters who inspired me through his earth toned scenes of nature.

I used insects as a symbol of appreciating nature. Because when I was a kid I used play with insects and kill them, but when I grew up I learned that insects are part of our lives and they play a huge role. I used rainbow colours pattern as a background to balance the foreground and to express happiness, feeling of togetherness, hope and fortune. 

The Aphids serves as a powerful symbol of, resilience transformation and the  state of being connected to one another. Insects are symbols of showing gratitude or admiring their impact on the earth. However, they also have symbolic meanings in various cultures and spiritual practices. Sometimes people don't really know how important little things are till it's too late. We need to be easily impressed and be hard to offend. 

It all started in primary school, when I fell in love with using a blue Pen. Writing with black pen was considered as dirty and brings bad luck. This also had a huge influence in my love for the colour blue . During that time I had no clue that oneday I would become an artist.
Growing up in Eastern Cape forced me to use the samepen to draw due to lack of drawing or painting material.
My artworks are inspired by things (nature) that I see in front of me everyday. My artwork gives positive message to the society, we need to respect and protect our nature.

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SKU: 45044650157

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Stephanie Kelly
Lexington, US
★★★★★ 5
Silly little book
Format: Hardcover
My daughter love this book. We read it over and over again until I had to make her choose something different t. The story is so cute and the illustrations are really fun.
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Reviewed in the United States on March 29, 2026
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Keri
Whiting, US
★★★★★ 5
Great book
Format: Hardcover
Love this book. I bought two of the other books in this series. My niece loved it.
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Reviewed in the United States on April 3, 2026
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Samantha Laubenstine
Dallas, US
★★★★★ 5
Perfect for spring time!
Format: Hardcover
Such a great book series I love reading it to my boys!
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Reviewed in the United States on March 31, 2026
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Ashley Mandrell
Lexington, US
★★★★★ 5
Good buy
Format: Hardcover
This is a super cute book! It teaches about spring and we enjoy reading it!
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Reviewed in the United States on February 19, 2026
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Don Morris
Houston, US
★★★★★ 5
"Racial Capitalism"
Format: Paperback
Cedric J. Robinson’s Black Marxism is first a history of Black people appearing in historical texts as far back as Herodotus (c. 484 – c. 425 BCE) in ancient Greece, and second a history of “the collisions of the Black and white ‘races’ beginning in the fifteenth and sixteenth centuries.” Robinson’s thesis connects the evolution of capitalism to its roots in racism (racialism) understood in broad terms to comprise the subjugation of one class/group/nation/race by another (the Irish by the English in the nineteenth century, for example). He uses the term “racial capitalism” to express this process—the necessity of opposing classes for the function of capitalism. As a result, “racialism,” he says, “would inevitably permeate the social structures emergent from capitalism.” Keynes attributed the slow change in the “standard of life of the average man” until the beginning of the eighteenth century to “the remarkable absence of important technical improvements and to the failure of capital to accumulate.” Capital is accumulated, in Marx’s view, through the accretion of “surplus labor” which is the extra time a worker “must add to the working time necessary for his own maintenance . . . in order to produce the means of subsistence for the owners of the means of production.” Robinson ties capitalism’s early exploitation of surplus labor to slave labor and the slave trade noting, “historically, slavery was a critical foundation for capitalism.” Robinson traces the forced transport of Black people from Africa (the diaspora) to Europe, as well as Central, South, and North America as a foundation of early capitalism (and slavery as its form of “primitive accumulation” of capital). In his discussions of slavery, Robinson stresses the sense of the enslaved people with respect to their captors in terms of the slaves’ resistance, hostility, and defiance of the masters—their “Black radicalism.” As Robinson’s text approaches the twentieth century and the influence of Marx, his focus narrows to the significance and character of specific Black leaders including W. E. B. Du Bois, C. L. R. James, and Richard Wright and their respective connections to Marxism’s diverse interpretations. Marxism, says Robinson, “has proven insufficiently radical to expose and root out the racialist order that contaminates its analytic and philosophic applications or to come to effective terms with the implications of its own class origins.”
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Reviewed in the United States on September 2, 2022

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