SKU: 69133042173

Facet lamp aluminium zwart 14x14x13cm (DxBxH)

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Description

Facet lamp aluminium zwart 14x14x13cm (DxBxH)De GARDD Facet lamp in aluminium zwart 14x14x13cm is een ideale keuze voor wie op zoek is naar hoogwaardige, functionele en stijlvolle gevelverlichting. Deze lamp combineert een modern design met robuuste duurzaamheid, perfect geschikt voor buitengebruik. Dankzij de IP65 waterdichtheidsklasse is de GARDD Facet lamp bestand tegen alle weersomstandigheden, waardoor hij een betrouwbare keuze is voor langdurige buitenverlichting. De lamp wordt geleverd

De GARDD Facet lamp in aluminium zwart 14x14x13cm is een ideale keuze voor wie op zoek is naar hoogwaardige, functionele en stijlvolle gevelverlichting. Deze lamp combineert een modern design met robuuste duurzaamheid, perfect geschikt voor buitengebruik. Dankzij de IP65 waterdichtheidsklasse is de GARDD Facet lamp bestand tegen alle weersomstandigheden, waardoor hij een betrouwbare keuze is voor langdurige buitenverlichting. De lamp wordt geleverd met een vooraf geïnstalleerde LED-lichtbron en een waterdichte connector, wat zorgt voor een eenvoudige en veilige installatie.

Waarom de GARDD Facet Lamp Aluminium een Onmisbare Keuze is

  • Hoogwaardige LED-verlichting: De lamp is uitgerust met een 6W LED-lichtbron die een warm licht van 3000 kelvin uitstraalt, perfect voor het creëren van een uitnodigende en sfeervolle omgeving.
  • Duurzaam Aluminium: Gemaakt van 2 mm dik aluminium, biedt deze lamp zowel stevigheid als een moderne, strakke uitstraling die naadloos integreert in elke buitenruimte.
  • Weerbestendig en waterdicht: Met een IP65-classificatie is deze lamp volledig beschermd tegen regen en stof, wat bijdraagt aan een lange levensduur en betrouwbare prestaties in alle weersomstandigheden.
  • Aanpasbare Stralingshoek: De stralingshoek is flexibel instelbaar van 1° tot 120°, zodat je de lichtbundel eenvoudig kunt aanpassen aan jouw specifieke verlichtingsbehoeften.
  • Lange Levensduur: Met een indrukwekkende levensduur van 50.000 branduren biedt deze lamp jarenlang betrouwbare verlichting zonder dat je je zorgen hoeft te maken over vervanging.

Sfeervol Licht met een Modern Design

De GARDD Facet lamp is niet alleen functioneel, maar voegt ook een esthetische waarde toe aan jouw buitenruimte. Met zijn strakke, grijze afwerking (RAL 9016) en moderne ontwerp past deze lamp perfect in zowel moderne als klassieke omgevingen. De verlichting straalt zowel naar boven als naar beneden, wat zorgt voor een gelijkmatige en sfeervolle verlichting van muren, gevels en andere oppervlakken.

Eenvoudige Installatie en Gebruiksgemak

De GARDD Facet lamp is eenvoudig te installeren dankzij de meegeleverde wandbeugel en duidelijke handleiding. Sluit de lamp veilig en gemakkelijk aan op de netstroom met de bijgeleverde waterdichte connector. Dankzij de robuuste constructie en het doordachte ontwerp is deze lamp een ideale keuze voor iedereen die zijn buitenruimte wil verlichten met kwaliteit en stijl.

Onverslaanbare Kwaliteit en Betrouwbaarheid

Bij GARDD staan we volledig achter de kwaliteit van onze producten. Daarom bieden we een garantie van 5 jaar op de GARDD Facet lamp, zodat je met volledige zekerheid kunt genieten van jouw aankoop. Deze lamp is niet alleen een functionele verlichtingsoplossing, maar ook een investering in de uitstraling en sfeer van je buitenruimte.

Verhoog de esthetiek en functionaliteit van jouw buitenruimte met de GARDD Facet Lamp Aluminium. Bestel vandaag nog en ontdek hoe deze lamp jouw tuin, terras of gevel tot leven kan brengen met prachtig, sfeervol licht.

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SKU: 69133042173

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4.6 ★★★★★
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Product Reviews
R
Verified Purchase
Rachel S.
Lake Worth, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
E
Verified Purchase
Eileen O Malley Callahan
Houston, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Natrona Heights, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Houston, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Charlottesville, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020

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