SKU: 14411376668

BonPlancha Vuurschaal Bakplaat Ø60 cm

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BonPlancha Vuurschaal Bakplaat Ø60 cmLet op: de vuurschaal op de foto is niet inbegrepen. BonFeu BonPlancha Vuurschaal 60 Wilt u meer dan alleen een vuurschaal? Dan is deze bakplaat waarschijnlijk een schot in de roos! Met deze BonFeu BonPlancha tovert u uw BonFeu Vuurschaal 60, of andere vuurschalen met 60, in een handomdraai om in een prachtig functioneel kooktoestel. De bakplaat, ook wel plancha genoemd, plaatst u simpelweg op de vuurschaal en u kunt heerlijk barbecuen. Let op: De

Let op: de vuurschaal op de foto is niet inbegrepen.

BonFeu BonPlancha Vuurschaal Ø60

Wilt u meer dan alleen een vuurschaal? Dan is deze bakplaat waarschijnlijk een schot in de roos! Met deze BonFeu BonPlancha tovert u uw BonFeu Vuurschaal Ø60, of andere vuurschalen met Ø60, in een handomdraai om in een prachtig functioneel kooktoestel. De bakplaat, ook wel plancha genoemd, plaatst u simpelweg op de vuurschaal en u kunt heerlijk barbecueën.

Let op: De plancha bakplaten worden al ingevet geleverd om roestvorming te voorkomen. Haal het vet er eerst af met een natte doek en olie de plaat dan opnieuw in als je hem gaat gebruiken. Zorg dat je de plancha altijd ingevet (op kamertemperatuur) bewaart, om zo roestschade te voorkomen.

Buitenkoken boven een houtgestookt vuur

Wanneer u een stoere BonFeu Vuurschaal Ø60 heeft (of u overweegt nu om er eentje aan te schaffen), dan is deze bakplaat wel een erg praktisch accessoire dat eigenlijk niet mag ontbreken. BonFeu komt hiermee opnieuw met een verrassend item dat dit merk zo onderscheidt.

De bakplaat plaatst u eenvoudig op de rand van de vuurschaal. Vanuit het ondergelegen haardvuur wordt de plaat nu verhit en kunt u er heerlijk op buitenkoken. Vlees, vis of groente, u kunt er eigenlijk alles op bereiden. Het enige dat u nodig heeft is een beetje olijfolie en een spatel.

In tegenstelling tot het rooster van een normale houtskoolbarbecue is deze bakplaat zeer gemakkelijk schoon te maken. Etensresten en overtollige olie schuift u met de spatel rechtstreeks in het vuur. Daarna is het even afnemen met een vochtige doek, alvast een beetje inoliën en de plancha is weer klaar voor een volgend gebruik.

BonPlancha voor Vuurschaal Ø60

De 6 millimeter dikke bakplaat heeft een diameter van 60 cm en is voorzien van een tweetal handvatten. Hierdoor is de plaat handzaam en eenvoudig te plaatsen.

De BonFeu BonPlancha Vuurschaal Ø60 is geschikt voor de BonFeu Vuurschaal Ø60, of andere vuurschalen met diameter Ø60.

De BonFeu BonPlancha Vuurschaal Ø60 in het kort:

- Bakplaat voor de BonFeu Vuurschaal Ø60, of andere vuurschalen met Ø60 cm
- Maak van uw Vuurschaal in een handomdraai een BBQ
- Buitenkoken boven een houtgestookt haardvuur
- Voorzien van een tweetal handvatten
- Diameter 60 cm
- Eenvoudig in gebruik
- Eenvoudig schoon te maken

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SKU: 14411376668

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4.6 ★★★★★
Based on 25 reviews
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A
Verified Purchase
AlanWarner
Dallas, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
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Carole T Emberton
Chelsea, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
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pat delzell
Lexington, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
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B. Kirzner
Dallas, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021
V
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V. Young
Alexandria, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2014

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