SKU: 88022870833

Hank Marvin - Gold CD Box Set - 3 discs (Used) (Mint Condition) CD

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Hank Marvin - Gold CD Box Set - 3 discs (Used) (Mint Condition) CD1 1 Miss Emerald: Intro Written By Jules Buckley Written By Jules Buckley 0: 39 1 2 One Day Bongos Claus Tofft Drum Programming, Marimba, Sounds [Fx], Drums, Percussion, Electric Organ [Philicordia] David Schreurs Drums [1920's Kit] Stefan Kruger Electric Guitar Paul Willemse* Electric Organ [Philicordia] Stefan Schmid Electric Upright Bass Jeroen Vierdag Guiro Claus Tofft Harp Nika Schreurs Piano Stefan Schmid Turntables Kypski Vocals Caroline Van

1-1 Miss Emerald: Intro
Written-By  Jules Buckley
0:39
1-2 One Day
Bongos  Claus Tofft
Drum Programming, Marimba, Sounds [Fx], Drums, Percussion, Electric Organ [Philicordia]  David Schreurs
Drums [1920's Kit]  Stefan Kruger
Electric Guitar  Paul Willemse*
Electric Organ [Philicordia]  Stefan Schmid
Electric Upright Bass  Jeroen Vierdag
Guiro  Claus Tofft
Harp  Nika Schreurs
Piano  Stefan Schmid
Turntables  Kypski
4:29
1-3 Coming Back As A Man
Drum Programming, Percussion  Jan van Wieringen
Drum Programming, Percussion, Organ, Piano, Marimba, Synthesizer, Sounds [Fx]  Robin Veldman
Drums [Brushed ]  Stefan Kruger
Drums, Vibraphone, Bass, Drum Programming [Additional]  David Schreurs
Guitar  Sander Rozeboom
Piano  Stefan Schmid
Synth, Acoustic Guitar, Electric Guitar, Percussion  Wieger Hoogendorp
Turntables  Kypski
3:34
1-4 Tangled Up
Acoustic Guitar  Juan Pablo Dobal
Acoustic Guitar, Electric Guitar, Sounds [Fx], Percussion  Wieger Hoogendorp
Bandoneon  Carel Kraayenhof
Drum Programming  Jan van Wieringen
Drum Programming, Percussion, Synth  David Schreurs
Electric Bass  Jeroen Vierdag
Electric Organ [Hammond], Sounds [Fx], Percussion  Robin Veldman
Lead Vocals, Backing Vocals  Caroline Van der Leeuw
Percussion  Claus Tofft
Turntables  Kypski
3:15
1-5 Completely
Drum Programming  Jan van Wieringen
Drum Programming, Drums [Additional], Percussion, Vibraphone  David Schreurs
Drums  Stefan Kruger
Electric Guitar, Percussion, Trumpet [Fx], Vibraphone  Wieger Hoogendorp
Electric Upright Bass  Sean Fasciani
Percussion  Robin Veldman
Trumpet [Solo]  Jan van Duikeren
Turntables  Kypski
2:29
1-6 Black Valentine
Drum Programming, Drums, Synth, Percussion, Mellotron [M-Tron]  David Schreurs
Drum Programming, Effects [Dub]  Jan van Wieringen
Drum Programming, Percussion, Effects [Synth & Sound]  Robin Veldman
Effects [Additional Dub]  Kasper Frenkel
Effects [Additional Sound]  Stefan Schmid
Electric Bass  Jeroen Vierdag
Electric Guitar, Effects [Sound], Percussion  Wieger Hoogendorp
5:03
1-7 Pack Up The Louie
Baritone Saxophone  Koen Schouten (2)
Cello  Wijnand Hulst
Clarinet  Dávid Lukács
Drum Programming  Jan van Wieringen
Lead Vocals, Backing Vocals  Caroline van der Leeuw
Mandolin, Acoustic Guitar, Electric Guitar  Wieger Hoogendorp
Piano, Bass, Drum Programming, Percussion [Programming], Mellotron [M-Tron], Effects [Synth & Sound]  David Schreurs
Synth [Fx]  Stefan Schmid
Tenor Saxophone  Arnoud de Graaff, Guido Nijs
Timbales, Percussion  Stefan Kruger
Trombone  Louk Boudesteijn
Trumpet  Jan van Duikeren
Trumpet [Solo]  Peter Huber (2)
Turntables  DJ Git Hyper, Kypski
Violin [Alto]  Rani Kumar
Violin, Viola  Ellie Wyatt
Vocals  Vincent Degiorgio
3:33
1-8 I Belong To You
Drum Programming  Jan van Wieringen
Drum Programming, Percussion  David Schreurs
Drums [Additional Live]  Bram Hakkens
Electric Bass  Jeroen Vierdag
Electric Guitar, Sounds [Fx]  Wieger Hoogendorp
Guitar [Solo]  Sander Rozeboom
Lead Vocals  Caroline van der Leeuw
Percussion [Orchestral]  Stefan Kruger
Sounds [fx]  DJ Git Hyper, Robin Veldman
Turntables  Kypski
3:27
1-9 The Maestro
Acoustic Guitar, Percussion, Vocals [Fx]  Wieger Hoogendorp
Bass, Piano, Mellotron [M-Tron]  Daan Herweg
Clarinet  Dávid Lukács
Drum Programming [Additional]  David Schreurs
Drum Programming, Sounds [Fx]  Jan van Wieringen
Lead Vocals  Caroline van der Leeuw
Tenor Saxophone  Guido Nijs
Turntables  Kypski
2:37
1-10 Liquid Lunch
Baritone Saxophone  Koen Schouten (2)
Drum Programming  Jan van Wieringen
Drum Programming, Drums, Percussion, Synth  David Schreurs
Drums [Brushed]  Stefan Kruger
Electric Bass  Sean Fasciani
Electric Guitar, Acoustic Guitar, Percussion, Vibraphone, Organ  Wieger Hoogendorp
Lead Vocals, Backing Vocals  Caroline van der Leeuw
Organ  Stefan Schmid
Organ, Percussion  Robin Veldman
Tenor Saxophone  Arnoud de Graaff
Trumpet  Peter Huber (2)
Turntables  Kypski
3:59
1-11 Excuse My French
Acoustic Guitar  Sander Rozeboom
Acoustic Guitar, Electric Guitar, Banjo, Backing Vocals, Sounds [Fx]  Wieger Hoogendorp
Backing Vocals  Vincent Degiorgio
Clarinet  Dávid Lukács
Drum Programming, Backing Vocals  Jan van Wieringen
Drum Programming, Drums, Percussion, Vibraphone, Sounds [Fx], Mellotron [M-Tron]  David Schreurs
Lead Vocals, Backing Vocals  Caroline van der Leeuw
Sounds [Fx]  Robin Veldman
Sousaphone  Mike Poyser
Synth [Fx]  Stefan Schmid
Tambourine [Beatring]  Roel Verberk
Turntables  DJ Git Hyper
3:52
1-12 Paris
Cello  Wijnand Hulst
Clarinet  Dávid Lukács
Drum Programming  Wieger Hoogendorp
Drum Programming, Effects [Sounds & Dub]  Jan van Wieringen
Effects [Additional Dub]  Kasper Frenkel
Electric Upright Bass  Jeroen Vierdag
Piano, Drums, Drum Programming  David Schreurs
Turntables  Kypski
Violin [Alto]  Rani Kumar
4:47
1-13 My 2 Cents
Acoustic Guitar  Sander Rozeboom
Congas, Bongos, Guiro  Claus Tofft
Drum Programming, Effects [Sound]  Jan van Wieringen
Drums [Additional]  Bram Hakkens
Effects [Additional]  Robin Veldman
Electric Bass  Jeroen Vierdag
Electric Guitar, Effects [Additional Fx], Effects [Trumpet Fx]  Wieger Hoogendorp
Lead Vocals, Backing Vocals  Caroline van der Leeuw
Percussion  Stefan Kruger
Piano, Drum Programming, Percussion  David Schreurs
Trumpet [Solo]  Tom Rees-Roberts
Turntables  Kypski
Violin [Solo]  Everton Nelson
3:45
1-14 The Wonderful In You
Drum Programming  Jan van Wieringen
Drum Programming, Effects [Sound]  David Schreurs
Drums  Stefan Kruger
Guitar, Electric Bass, Electric Organ [Farfisa], Synth  Wieger Hoogendorp
Lead Vocals, Backing Vocals  Caroline van der Leeuw
Turntables  Kypski
3:08
1-15 Tell Me How Long
Drum Programming [Additional], Synth [Additional ], Bass  Jan van Wieringen
Drum Programming, Synth [Bass], Percussion, Vibraphone  David Schreurs
Electric Guitar  Wieger Hoogendorp
Lead Vocals, Backing Vocals  Caroline van der Leeuw
Percussion  Claus Tofft
Piano, Synth [Fx]  Stefan Schmid
Turntables  Kypski
Violin, Viola  Ellie Wyatt
2:25
1-16 No Charge
Baritone Saxophone, Backing Vocals  Koen Schouten (2)
Bongos, Shekere, Guiro, Congas  Claus Tofft
Drums, Percussion, Synth, Piano  David Schreurs
Electric Upright Bass  Jeroen Vierdag
Lead Vocals  Caroline van der Leeuw
Tenor Saxophone, Backing Vocals  Arnoud de Graaff
Trumpet [Solo]  Jan van Duikeren
Trumpet, Backing Vocals  Peter Huber (2)
Turntables  Kypski
2:33
1-17 The Bullet
Bass Guitar  Guy Chambers
Programmed By  David Schreurs
2:30
Live In Glasgow
2-1 Miss Emerald: Intro 0:44
2-2 One Day 4:35
2-3 Completely 2:38
2-4 The Maestro 2:41
2-5 Black Valentine 5:30
2-6 Pack Up The Louie 3:51
2-7 Liquid Lunch 4:07
2-8 Back It Up 4:46
2-9 I Belong To You 3:35
2-10 Coming Back As A Man 3:29
2-11 Riviera Life 4:12
2-12 Dr Wanna Do 4:57
2-13 Stuck 4:09
2-14 Tangled Up 4:36
2-15 My 2 Cents 4:25
2-16 The Wonderful In You 4:26
2-17 A Night Like This 7:08
2-18 If You Go Away (Ne Me Quitte Pas) 4:25
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SKU: 88022870833

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4.2 ★★★★★
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nfmgirl
Cuba, US
★★★★★ 5
History doesn't repeat, but it rhymes
Format: Hardcover
They say that history doesn't repeat itself, but it rhymes. Reading Rachel Maddow's Prequel, that old adage lands with uncomfortable, clarifying force. The America of the 1930s had Senator Huey Long — loud, brash, barnstorming, and brimming with populist promises — and the resonance with our own era of bombastic political theater is impossible to dismiss. Maddow doesn't make that parallel clumsily. She doesn't need to. The evidence, laid out with the precision of a seasoned researcher and historian, speaks for itself. Prequel tells the story of a far-right authoritarian impulse that has run through the veins of American political life for nearly a hundred years. In the 1930s, coinciding with Hitler's rise in Europe, a coordinated movement pushed hard for fascism here at home. Groups stockpiled weapons and explosives in preparation for an insurrection. Government officials worked in coordination with foreign actors. A fascist-sympathetic narrative was amplified through official and unofficial channels alike. This was not fringe paranoia — it was organized, resourced, and frighteningly close to succeeding. What is remarkable — and what gives this book its most urgent energy — is the story of who stopped it. Not always the institutions we might hope to rely on. Where the American legal system faltered, journalists and activists filled the breach. Investigators, reporters, and citizens took up the banner of democracy through dogged, unglamorous work. This is where Maddow's particular genius comes into its own. She is a master of the long connective thread — drawing bright lines between the events of the past and the present without letting the comparison become reductive or cheap. Prequel teaches us what was learned the last time democracy faced this kind of pressure: where the weaknesses are, what held, and — critically — what it will take to hold again. She identifies the strongholds. She maps the vulnerabilities. She makes a history lesson feel like a field guide. The book is also, simply, a pleasure to read. Maddow brings to the page the same qualities that made her a formidable broadcaster: the ability to take deeply complex, document-heavy material and render it not just comprehensible but genuinely gripping. Her research is formidable. Her journalistic integrity is evident on every page. And her storytelling instincts transform what might otherwise be a dry historical account into something that reads with the momentum of a thriller. The result is a text that is at once a celebration — democracy was fought for and, in that moment, successfully defended — and a warning. This book is well researched, well documented, and well written. Maddow is a master storyteller handing us a guide for the fight ahead of us. The impulse toward authoritarianism did not dissolve with the defeat of fascism abroad; it went quiet, regrouped, and waited. Democracy is once again under attack from the inside, and Prequel makes the case — calmly, rigorously, without hysteria — that this is not unprecedented, that it has been faced before, and that it can be faced again. Don't give up the fight. Don't let the bastards grind you down. (Upgraded from 4.5 stars)
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Reviewed in the United States on April 13, 2026
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WordsRmagic
Alexandria, US
★★★★★ 5
American history without the gold-plated bias
Format: Hardcover
Ms. Maddow is an amazing historian and journalist! She describes events in history in a rational, no-nonsense manner, with clarity and insight. We have been taught a white-washed version of history from 1st through 12th grade, and I literally mean white-washed. Humanity has always made mistakes and should be recorded in history. Ms. Maddow does an exceptional job of removing the "sugar-coating" from documented events and revealing the greed, corruption, and manipulation hiding beneath. I dearly hope that she will write a biography on this present president, which I believe would be as close to the truth as humanly possible. I will certainly buy a copy!
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Reviewed in the United States on May 24, 2026
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David C. Bright
Massapequa, US
★★★★★ 5
A must-read - hair-raising, deeply alarming, and shudder-producing
Format: Kindle
What I liked: - Deeply researched - amazing depth, particularly of a wide range of characters (a few of whom are true heroes) and many more miscreants - Rachel must have had a spectacular research team to work with! She mentions that "there were millions of words written about the rise of (and fight against) fascism as it was happening in pre-World War II America" - but I bet that most Americans haven't been exposed to them. - Starts off mildly with George Sylvester Viereck (a ridiculous author, but just wait!) but then shifts gears progressively as the story builds and adds in a raft of odious characters - Not afraid to name names - some of the politicians ultimately come in for some serious whacking (see Sens. Wheeler and Langer especially). Also surprising were the back stories of names I recognize (architect Philip Johnson, for example) without knowing of their nazi sympathies and antisemitism. - Mr. and Mrs. Lindbergh are waaay more complicated than our stereotypes of the heroic but opaque pilot and his saintly wife (she is one scary piece of work!) - stuff I simply didn't know, and what was presented was alarming to the extent of making skin crawl - I had never heard of the sedition trials of 1943 and 1944 and prosecutor John Rogge at all before - just one example of new (and stunning) information from our history - absolute bedlam! - As the history advances and the book nears its end, there are several BIG events that may push you back in your reading chair several times - again, no spoilers, but hoo-eee! - The epilogue was a treat to read - again, I won't reveal any spoilers A minor criticism - the book is derived (I believe) from Rachel's podcasts, and thus the writing has her inimitable voice (pointed asides, etc.), but as a result may lack some polish and smoothness in the prose. Some may love it, some may carp, some may not even notice it. Whatever. If material about this period is of interest to the reader, be certain to seek out "Hitler in Los Angeles" by Steven J. Ross - its focus is a little narrower, dealing with Jewish undercover work to foil Nazi plotting in Los Angeles, but Leon Lewis, a true mensch and hero, is in Maddow's book as well.
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Reviewed in the United States on October 18, 2024
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David Simpson
Draper, US
★★★★★ 4
Fascinating details from the past but not really a “prequel”
Format: Hardcover
Rachel Maddow’s “Prequel: An American Fight Against Fascism” recounts the efforts of pro-fascists in the United States, aided and manipulated by Nazi Germany, to keep America from actively opposing Hitler as well as to plot ways to turn America into a fascist country. The struggle to defeat those forces began in the early 1930s led by private citizens who, on their own, went undercover to join fascist groups and try to alert various government agencies about what was happening. A relatively small number of fascists gathered weapons to prepare for an insurrection. In the last chapters of the book, Maddow describes a 1944 trial in which the Justice Department brought sedition charges against some 30 defendants, most of whose activities she covered in previous chapters. The trial was chaotic, interrupted by frequent outbursts from the defendants and their lawyers. When the judge suddenly died one night of heart attack and a mistrial was declared, the Justice Department did not seek a new trial. The war against Hitler was nearing an end, so there was no push to revisit the past to pronounce judgment on those whose activities on the home front ultimately did not affect our victory over the Nazis. Since the ending is rather anticlimactic, Maddow, at times, may try a little too hard to make things sound more dire than they really were. Although elsewhere she has described Westbrook Pegler as an “extreme” right wing columnist and “pseudo-fascist,” she quotes him at the end of her chapter on Huey Long as averring that, in Louisiana, Long was “gradually copying the Hitler state.” Long was certainly a corrupt, authoritarian politician, but his populist politics had their origins in his upbringing in Winn Parish, where the Socialist Party carried the day in the 1912 election. Had he lived and had he run for president in 1936, he might have drawn enough votes from FDR to give the election to a Republican candidate, but he had no use for Nazism. (I live in Louisiana where, until 1973, we observed Huey’s birthday as a state holiday.) Maddow seems to imply that there was something nefarious about the death in 1940 of Senator Ernest Lundeen in a passenger airplane crash that occurred during a thunderstorm. Lundeen, who had close ties to a top Nazi spy, may have been under investigation, but nothing indicates that his presence on the flight had anything to do with the crash. The cause was never determined, but, based on the way the plane headed forcibly into the ground, a likely explanation is that it was caught in the kind of thunderstorm microbursts that we now know has caused similar crashes. Though, for me, the book seems to promise a bit more than it actually delivers, I did learn a lot about the ties of right wing politics to Nazism during that era. I was aware that Henry Ford was a fanatical antisemite, but, until I read Maddow’s book, I did not know that his efforts extended to publishing a ninety-two part series based on the Protocols of the Elders of Zion that appeared in the Dearborn Independent, a newspaper that he owned, with copies distributed to every Ford dealership. It was published in book form as “The International Jew” and widely circulated in Germany. Hitler praised Ford in “Mein Kampf” and, according to one account, had a portrait of Ford displayed on the wall in his office when he was visited by an American reporter. I was aware that the Nazis studied segregation in the American South for guidance in drafting their own race laws, but I didn’t know that Nazi Germany dispatched an attorney to the University of Arkansas School of Law to acquire first-hand knowledge. I was aware that Father Coughlin was a demagogic opponent of FDR, but I was not aware of the ferocity of his antisemitism or his ties to various pro-Nazi fascists. However, I was really totally unaware of the way actual Nazi agents in league with pro-Nazi Americans were able to get congressmen and senators to distribute Nazi propaganda, typically inserted into the Congressional Record and then sent to millions of Americans for free using the congressional franking privilege. On the other hand, I doubt that propaganda delivered in that manner was very effective. Pages from the Congressional Record could not compete with the message delivered by the 1939 Warner Brothers film “Confessions of a Nazi Spy,” the first anti-Nazi movie produced by Hollywood, based on actual events that Maddow describes. Nothing pro-fascists did in the United States affected our entry into the war against Germany. We went to war when Hitler himself declared war on us four days after Japan bombed Pearl Harbor. Nazi Germany certainly posed a military threat, but there wasn’t much danger that fascist politics would actually prevail in the United States. The political situation is very different today and, though I, like Maddow, admire the “smart, brave, determined, resourceful, self-sacrificing [anti-fascist] Americans who went before us,” I think the political challenges we face today are much more dire.
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Reviewed in the United States on December 11, 2023
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Glenn T. Livezey
Grantham, US
★★★★★ 5
The History of American fascism
Format: Hardcover
Quality and fierce journalism. Reviving and honoring adherence to a true history and context of American fascism
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Reviewed in the United States on March 15, 2026

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