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Description
Intel 12th Gen Core i5-12400F LGA1700 2.5GHz 6-Core CPUTake the next evolutionary leap with the performance hybrid architecture of 12th Generation Intel Core processors. Get the performance you need, where you need it, whether youre a gamer, creator, streamer, or everyday user. Whatever youre into, do more of it, whenever you want with Intel 12 Generation processors. With unprecedented new performance hybrid architecture, 12th Gen Intel Core processors offer a unique combination of Performance and
Take the next evolutionary leap with the performance hybrid architecture of 12th Generation Intel® Core™ processors. Get the performance you need, where you need it, whether you’re a gamer, creator, streamer, or everyday user. Whatever you’re into, do more of it, whenever you want with Intel® 12 Generation processors. With unprecedented new performance hybrid architecture, 12th Gen Intel® Core™ processors offer a unique combination of Performance and Efficient-cores (P-core and E-core). That means real-world performance, intuitively scaled to match whatever you’re doing.
The Performance-core is Intel’s highest-performing CPU core ever. And it’s designed to maximize single-thread performance and responsiveness for compute-intensive workloads like gaming and 3D design. The Efficient-core delivers multithreaded performance for tasks that can run in parallel (like image rendering), along with efficient offload of background tasks for modern multitasking.
So that Performance-cores and Efficient-cores can work seamlessly with the operating system, Intel built Intel® Thread Director right into the hardware. Automatically monitoring and analyzing on-the-fly, Intel® Thread Director guides the operating system, helping it place the right thread on the right core, at the right time. And it does it all dynamically, adapting scheduling guidance based on actual computing needs, not on static rules.
12th Gen Intel® Core™ processors also support the next wave of discrete graphics cards and storage devices. These devices take advantage of increased throughput coming with PCIe 5.0 as well the higher speeds and bandwidth of DDR5 memory. With 12th Gen Intel® Core™ processors, standard, built-in features enable capabilities like noise suppression, auto-framing, and optimization for bandwidth and video resolution while gaming. That saves you time and lets you multitask in ways you’ve only ever dreamed of, until now. From epic gaming to browsing to streaming to creating your next masterpiece, 12th Gen Intel® Core™ processors make it all entirely doable.
FEATURES:
- 6 Cores
- 12 Threads
- Max Turbo Frequency of up to 4.40GHz
- 18MB Intel® Smart Cache
- Support for DDR4 and DDR5 memory
- Built for serious gaming
- Smart solutions for enthusiasts and creators
- Nearly 3x faster connectivity
SPECIFICATIONS:
- Essentials:
- Product Collection_ 12th Generation Intel® Core™ i5 Processors
- Code Name_ Products formerly Alder Lake
- Vertical Segment_ Desktop
- Processor Number_ i5-12400F
- CPU Specifications_
- Total Cores_ 6
- # of Performance-cores: 6
- # of Efficient-cores: 0
- Total Threads_ 12
- Max Turbo Frequency_ 4.40 GHz
- Performance-core Max Turbo Frequency_ 4.40 GHz
- Performance-core Base Frequency_ 2.50 GHz
- Cache: 18 MB Intel® Smart Cache
- Total L2 Cache_ 7.5 MB
- Processor Base Power_ 65 W
- Maximum Turbo Power_ 117 W
- Memory Specifications_
- Max Memory Size (dependent on memory type): 128 GB
- Memory Types_ Up to DDR5 4800 MT/s, Up to DDR4 3200 MT/s
- Max # of Memory Channels_ 2
- Max Memory Bandwidth_ 76.8 GB/s
- Expansion Options_
- Direct Media Interface (DMI) Revision_ 4.0
- Max # of DMI Lanes_ 8
- Scalability: 1S Only
- PCI Express Revision_ 5.0 and 4.0
- PCI Express Configurations_ Up to 1×16+4, 2×8+4
- Max # of PCI Express Lanes_ 20
- Advanced Features_
- Intel® Gaussian & Neural Accelerator_ 3.0
- Intel® Thread Director_ No
- Intel® Deep Learning Boost (Intel® DL Boost): Yes
- Intel® Optane™ Memory Supported_ Yes
- Intel® Speed Shift Technology_ Yes
- Intel® Turbo Boost Max Technology 3.0: No
- Intel® Turbo Boost Technology_ 2.0
- Intel® Hyper-Threading Technology_ Yes
- Intel® 64_ Yes
- Instruction Set_ 64-bit
- Instruction Set Extensions_ Intel® SSE4.1, Intel® SSE4.2, Intel® AVX2
- Idle States_ Yes
- Enhanced Intel SpeedStep® Technology_ Yes
- Thermal Monitoring Technologies_ Yes
- Intel® Volume Management Device (VMD): Yes
- Security & Reliability
- Intel® Standard Manageability (ISM): Yes
- Intel® Control-Flow Enforcement Technology_ Yes
- Intel® AES New Instructions_ Yes
- Secure Key_ Yes
- Intel® OS Guard_ Yes
- Execute Disable Bit_ Yes
- Intel® Boot Guard_ Yes
- Mode-based Execute Control (MBEC): Yes
- Intel® Virtualization Technology (VT-x): Yes
- Intel® Virtualization Technology for Directed I/O (VT-d): Yes
- Intel® VT-x with Extended Page Tables (EPT): Yes
WHAT’S IN THE BOX_
- Intel 12th Gen Core i5-12400F LGA1700 2.5GHz 6-Core CPU x1
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4.1 ★★★★★
Based on 1078 reviews
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Product Reviews
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section.
When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes:
"another woman" "in uniform" "from above ground"
"entered" "the train" "She was fireproof" "she wore gloves, & she"
"took" "the baby" "took the baby" "away from the"
"mother" "Extracted" "the burning baby" "From the fire" "they
made together" "But the baby" "still burned"
("But not yours" "It didn't happen" "to you")
"We don't know yet" "if it will" "stop burning,"
"said the uniformed" "woman" "The burning woman" "was crying"
"she made a form" "in her mind" "an imaginary" "form" "to
settle" "in her arms where" "the baby" "had been" "We saw
her fiery arms" "cradle the air" "She cradled air" ("They take your
children" "away" "if you"re on fire")
"In the air that" "she cradled" "it seemed to us there" "floated"
"a flower-like" "a red flower" "its petals" "curling flames"
"She cradled" "seemed to cradle" "the burning flower of" "herself gone"
"her life" ("She saw" "whatever she saw, but what we saw" "was that flower")
After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns.
The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book.
The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole.
If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems.
The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses.
I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book.
I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down.
I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long.
Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
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