Aston Martin DB5 Vantage - Alan Thornton - Art Screen Print - Side View

Aston Martin DB5 Vantage - Alan Thornton - Art Screen Print - Side ViewLimited to just 200 prints Measures 1. 0 metre (39 inches) wide by 0. 7 metres (27 inches) tall Created from a dedicated high resolution studio shoot of a real DB5 Vantage selected by Aston Martin Fine art screen prints created in London and personally directed by Alan Thornton Printed onto Somerset Satin Radiant 410 gsm archival paper made in England Created by artist and photographer Alan Thornton This print will be delivered from the UK. Local

This print will be delivered from the UK. Local duties and taxes may be applicable on import to regions outside the UK. By purchasing this title, you agree and consent to your information being shared with Alan Thornton for use in the fulfilment of your order.

Often billed as the “most famous car in the world”, the Aston Martin DB5 is widely considered to be amongst the most beautiful cars ever made and is often labelled as the most attractive built by the British marque. Certainly it is one of the most beloved, thanks largely to its now eternal association with a certain agent of international espionage. The DB5 was propelled to worldwide fame when used as James Bond's car in the movie 'Goldfinger,' as well as a number of subsequent James Bond films. The association with the world’s least secret agent was a marketer’s dream, the perfect example of product placement, which nearly didn’t happen at all: Jaguar’s E-type was the preferred choice, but Jaguar turned EON down, and Aston Martin’s owner David Brown was also initially reluctant to supply a DB5. The rest is history, and James Bond’s gadget laden Silver Birch DB5 became an immortal silver screen phenomenon.

Amalgam Collection and Alan Thornton

Amalgam is delighted to partner with artist Alan Thornton to introduce a collection of silkscreen prints. Precise and technical in nature, these prints isolate the subject, laying the image onto Alan’s signature metallic background, that focuses the viewer’s eye on the sculptural, organic qualities of iconic cars and planes. Alan’s obsession with form, function and beauty, combined with his enduring passion for all things automotive and mechanical, align perfectly with Amalgam’s mission.

The Process

Screen printing is the process of transferring a stencilled artwork onto a flat surface using a mesh screen, ink and a squeegee. Starting with the photography, the subject matter is composed and lit with the intermediate processes and the final print in mind - each step very much influences the final outcome. In post-production the image is refined and manipulated to create the final tonal variations needed for the separation of colours, which are then half toned which simulates continuous-tone imagery through the use of dots or lines, varying either in size or in spacing, thus generating a gradient-like effect. For each colour, a positive acetate is transferred to a silk screen frame coated in photosensitive emulsion. Following exposure, washing out and drying, the frame is mounted on a to print bed, and the chosen colour ink is then forced through the mesh with a squeegee. This is a highly skilled craft process, sensitive to the touch, feel and technique of the printer, and as a result each print is unique.

Handling Your Print

Art screen prints are best handled by professional framers. We would always recommend framing your print with a box frame under UV protected glass or acrylic, which will give maximum protection. When removing your print from the tube, reach in with clean hands and gently twist the print to make it smaller, slowly pull the print out from the centre. Do not pull quickly at a corner as you may damage the corner. Try to physically handle the print as little as possible and, when you do, always make sure your hands are clean and that you support the print fully, as the paper can pick up dirt or crease. Try to avoid leaving the print rolled for any length of time.

Art Screenprints of the Aston Martin DB5 Vantage are limited to an edition size of just 200. No frame is included. By purchasing this print, you agree and consent to your information being shared with Alan Thornton for use in the fulfilment of your order.