SKU: 39044389905

Marta Ramos - Gallo III

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Marta Ramos - Gallo IIIThis is a gorgeous original ink drawing, on paper, and it measures about 17" x 13. 5" (42cm. x 34cm.). Meme Amaya is a talented, and fairly well regarded local artist in Havana. She is now 90 years old. This is a satire on the cockroach regime in Cuba. Cuba is a goldmine of talent. From the Russian influences, to the classical European artists, that many of the Cuban Masters studied with. Despite a series of repressive governments the art scene has

This is a gorgeous original ink drawing, on paper, and it measures about 17" x 13.5" (42cm. x 34cm.). Meme Amaya is a talented, and fairly well regarded local artist in Havana. She is now 90 years old. This is a satire on the cockroach regime in Cuba. 

 

Cuba is a goldmine of talent. From the Russian influences, to the classical European artists, that many of the Cuban Masters studied with. 

 

Despite a series of repressive governments the art scene has historically thrived in Cuba, where culture occupies a prominent place. Art played a key role in the Cuban revolution and there are currently about 14 art schools, a University of Fine Arts, as well as 13,000 ‘registered artists’ on the island, as Rene Duquesne of the National Council of Visual Arts points out.


The African presence in Cuba is undeniable, incredibly strong and visible but because of the practice of whitening in the US, it is possible to shed, deny, or simply omit one's blackness in order to melt into the dominant, acceptable identity group in Miami. Here it is both possible and common to refer to being Cuban, refer to one's self as “white” while showing pictures of generations of family that include a Black abuelo or abuelita. So when we talk of Afro-Cuban art, we have several distinctions – art that pays homage to African heritage and culture, art by Black Cubans, art that makes reference to Afro-Cuban culture, and none of these are mutually exclusive. As a “movement,” Afro-Cuban Art involves bringing what is Black about Cuba to the forefront and an important linking with Black diaspora arts as a much larger field or landscape. It is one in which Black/ Afro-Cuban lives matter.

 

Afro-Cuban art has given the world, and the African diaspora in particular, a symbolic language with which to speak to and about African spiritual systems, specifically with regard to the orishas. The iconography of spiritual African systems from many nations – Yoruba, Fon, Dahomey, Congo, Ketu, Ijesha, Egbado, Oyo, Nago, Jeje are all a part of what has become Afro-Cuban art. Here there are so many points of reference that people from throughout the African Diaspora will feel and see a “familiar” energy in a variety of artistic mediums in Cuba and the Cuban diaspora.

By using this symbolic language, embedding it in painting, music, sculpture, textiles, and other mediums the narrative histories of West and Southern Africa (specifically Yoruba and Congo) that didn’t exist visually as art for art sake in Africa have significantly contributed to the globalization of Lucumi/orisa culture and positive associations with Cuban culture worldwide. The Lucumi tradition also understood as Afro-Cuban religion, has given us a new world lens on ancient African traditional spiritual systems by creating visible representations that offer a new and necessary lingua franca that we recognize as part of Cuba, bringing together African aesthetics from many different nations.

 

As such Afro-Cuban religion has travelled extensively and influenced the world. It is possible now to see certain images and identify them as representations of Oshun, Oggun, Exu, Obatala, Shango, Oya, Ochossi and their tools as both overt and imbedded in artistic forms. This is a major specific contribution Afro-Cuban art has made to the world – it has in this way made visible narratives which only existed orally and in the minds and hearts of practitioners for many generations. Now, because of Afro-Cuban art, students reading African American novelist Ntozake Shange or viewing international pop sensation Beyonce’s “Lemonade,” can quickly pick up on the Osun imagery because we have a context for a yellow wearing, mirror having, beautiful, brown skinned woman in touch with her own sensuality.

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SKU: 39044389905

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Amazon Customer
Alexandria, US
★★★★★ 3
As advertised, Good Price.
Format: Paperback
As advertised. Good price.
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Reviewed in the United States on April 5, 2025
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jamiem
Chelsea, US
★★★★★ 5
A must-read for OBE enthusiasts
Format: Paperback
Projection of the Astral Body I recently read The Projection of the Astral Body by Sylvan Muldoon and Hereward Carrington, and it’s a captivating classic! Published in 1929, Muldoon’s firsthand accounts of out-of-body experiences (OBEs) are vivid and pragmatic, detailing his involuntary projections from age 12 and experiments thereafter. His explanations of the astral cord, travel sensations, and the hypnagogic state are clear, avoiding excessive mysticism. Carrington’s scientific editing adds credibility. My only critique: the dated language can be dense, and the small font in some editions strains the eyes. A must-read for OBE enthusiasts
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Reviewed in the United States on August 8, 2025
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James G. Burton III
Lexington, US
★★★★★ 5
Basic Fundamentals of Astral Projection
Format: Paperback
This book is full of great information about Astral Projection that is presented in a straightforward manner. I have read many books and articles about this subject over the past 10 years. Many are full of scraps of insight that are glued together with abundant amounts of repetition and babble. Mr. Sylvan Muldoon, like many of the great occultists from the early 20th century, has created a work that will refresh the weary, "would-be" traveler by keeping his explanations short and concise. His theory on the astral body being ruled by the subconscious conveys why auto-suggestion is extremely important when attempting separation. He provides the traditional method of maintaining the hypnagogic state via the raised forearm of which Robert Monroe echoes in his own exercises 40 years later. His "Dream True" method is unique to any of the techniques that I have read about in the past. I cannot recommend this book enough for anyone who is attempting the art of Astral Projection.
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Reviewed in the United States on June 1, 2013
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Austin Farmer
Bozeman, US
★★★★★ 5
Good book, quite through
This was quite an in depth analysis on the subject which the author writes from his own experiences, and it seems quite obvious that he is not making any of it up. His explanations can be tedious at times, but this is in an effort to present the information as scientifically as possible, trying to answer any and all doubts and questions that would arise to the skeptical minded person. If you are interested in astral projection, I have never read a more revealing book on the subject.
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Reviewed in the United States on January 4, 2016
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JL Populist
Los Angeles, US
★★★★★ 4
Astral Projection From A Century Ago
Format: Kindle
This book is roughly a century old. With that comes a slightly different language but not one too difficult to follow. Some of the things that stuck out for me were: * The astral cable or “silver cord.” * The subjects of possession and the demonic. * The detailed suggestions for astral projection. This book could have used some editing ( there is the occasional “I” out of place) in spots but it remains very readable and helpful for understanding what astral projection is and different facets of it.
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Reviewed in the United States on November 30, 2025

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