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Description
Break Out - c1360018241684 (#BRKOUT_08)About: A series of highly visual designs by digital artist and programmer Robert Allison. "Break Out: Four coloured quarters, each quarter quartered again and again. Colour mutation jumps distinguish the regions as they break apart" In Robert's work individual colours are defined as 'genetic sequences', realised digitally as a string of 1s and 0s. Each is a kind of 'creature', encoded by a binary DNA, but then expressed as the usual RGB or HSV colour
About: A series of highly visual designs by digital artist and programmer Robert Allison. "Break Out: Four coloured quarters, each quarter quartered again and again. Colour mutation jumps distinguish the regions as they break apart" In Robert's work individual colours are defined as 'genetic sequences', realised digitally as a string of 1s and 0s. Each is a kind of 'creature', encoded by a binary DNA, but then expressed as the usual RGB or HSV colour-map values. Because of this representation, colours can be mutated and crossed with each other within the computer to form new variations. Oversized pixels, rastered onto the image plane, are used to record these colours as they are created.
Visualising these operations shows how richness and complexity can emerge from simple processes iterated to a massive scale. The potential of the purely computational, the mechanistic, is explored as it approaches the boundary with the natural, the tactile, the 'real'.
Each series investigates a different combination of techniques, rendered for effect. The pieces are randomly seeded, and are a unique result from the process they express. They are titled by their 'Unix timestamp' - the exact time of creation recorded as the number of milliseconds since 00:00:00 UTC 1st January 1970.
Medium: A range of designs printed onto a canvas and stretched over a chunky box frame
Visualising these operations shows how richness and complexity can emerge from simple processes iterated to a massive scale. The potential of the purely computational, the mechanistic, is explored as it approaches the boundary with the natural, the tactile, the 'real'.
Each series investigates a different combination of techniques, rendered for effect. The pieces are randomly seeded, and are a unique result from the process they express. They are titled by their 'Unix timestamp' - the exact time of creation recorded as the number of milliseconds since 00:00:00 UTC 1st January 1970.
Medium: A range of designs printed onto a canvas and stretched over a chunky box frame
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4.8 ★★★★★
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★★★★★ 5
Love
I only use this on my face now. I’ve noticed a huge impact on clearing up my skin and keeping it well moisturized. A small amount goes a long way. It smells amazing too!
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Reviewed in the United States on November 26, 2025
★★★★★ 1
on time
received on time, smells great, but it has so much tapioca powder in it it dries my skin out.
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Reviewed in the United States on April 18, 2025
★★★★★ 4
The cream is not greasy and doesn't smell.
Firts time I've used the beef tallow cream, it's very moist and lightweight. I like it.
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Reviewed in the United States on March 18, 2025
★★★★★ 5
BEST TALLOW IVE EVER BOUGHT!
First, the scent isn’t over whelming which I like, & it doesn’t leave a greasy feel to my skin after applying.
My skin feels amazing, & looks much healthier in addition which I like.
I will be ordering more when it comes available again. GREAT FOR WINTER!
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Reviewed in the United States on January 14, 2025
★★★★★ 3
Not a big fan
Oily and doesn’t absorb well. The scent was very overpowered with honey.
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Reviewed in the United States on March 7, 2026