SKU: 79364069484

Coran Tajwid En Arabe - Avec Index des mots - Hafs 17x24cm

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Description

Coran Tajwid En Arabe - Avec Index des mots - Hafs 17x24cmCoran Tajwid En Arabe Avec Index des mots Hafs 17x24cm, crit par Avec Index des mots, est un ouvrage publi par Dar Al Ma'rifa, une dition du Coran Tajwid en arabe au grand format 17x24 cm, lecture Hafs, avec un index des mots du Coran et les rgles de rcitation codes en couleurs, offrant un confort de lecture optimal pour l'tude approfondie. Destin aux tudiants souhaitant perfectionner leur rcitation du Coran, ce livre vous permettra de rciter le Coran

Coran Tajwid En Arabe - Avec Index des mots - Hafs 17x24cm, écrit par Avec Index des mots, est un ouvrage publié par Dar Al Ma'rifa, une édition du Coran Tajwid en arabe au grand format 17x24 cm, lecture Hafs, avec un index des mots du Coran et les règles de récitation codées en couleurs, offrant un confort de lecture optimal pour l'étude approfondie.

Destiné aux étudiants souhaitant perfectionner leur récitation du Coran, ce livre vous permettra de réciter le Coran avec justesse et beauté, conformément aux règles traditionnelles de récitation.

Cette édition du Saint Coran Tajwid en lecture Hafs selon 'Asim au format 17x24 cm est publiée par les éditions Dar Al Ma'rifa, référence mondiale du Mushaf Tajwid depuis 1986. Le système exclusif de codage couleur, approuvé par l'Académie de recherche islamique d'Al-Azhar, permet d'appliquer 24 règles de tajwid de manière intuitive.

Contenu et particularités

  • Index des mots du Coran

Qualité du papier : Papier de qualité premium. L'impression est nette et les couleurs sont parfaitement calibrées pour une lecture confortable.

Ce système de codage, breveté par le Dr Subhi Taha et approuvé par l'Académie de recherche islamique d'Al-Azhar en 1999, est reconnu comme la méthode la plus efficace pour apprendre les règles de tajwid sans nécessiter de connaissances théoriques préalables.

Caractéristiques

  • Éditeur : Dar Al Ma'rifa
  • Couverture : rigide
  • Tajwid : règles colorées pour faciliter la récitation

Système de codage couleur Tajweed

Le Coran Tajwid de Dar Al-Maarifa utilise un système de codage temporel et coloré qui permet d'appliquer 28 règles de tajwid grâce à 3 catégories de couleurs :

  • Rouge : pour les prolongations (Madd)
  • Vert : pour la nasalisation (Ghunna)
  • Bleu : pour l'emphase (Tafkheem) et l'écho (Qalqalah)
  • Gris : pour les lettres silencieuses (écrites mais non prononcées)

Fonctionnalités supplémentaires

  • Espaces de pause optionnels : facilitent les arrêts corrects pendant la récitation
  • Signification des mots en marge : pour une compréhension approfondie des versets coraniques
  • Accès QR Code : accédez instantanément à la page coranique sur votre téléphone, écoutez la récitation par différents lecteurs, explorez les explications détaillées des versets, répétez pour la mémorisation et écoutez la traduction en plusieurs langues

Fiche technique

Éditeur Dar Al Ma'rifa
Lecture Hafs selon 'Asim
Langue Arabe
Format 17x24 cm
Pages 669
Couverture Cartonnée
Papier Papier de qualité premium
ISBN 9789933423056

Pourquoi choisir ce Coran ?

  • Impression de qualité avec texte clair et lisible
  • Papier de qualité pour un usage quotidien
  • Format adapté pour la lecture et la mémorisation

Pour qui ?

  • Musulmans souhaitant un Mushaf de qualité
  • Étudiants en mémorisation du Coran
  • Cadeau idéal pour les occasions religieuses

Fiche technique

Titre Coran Tajwid En Arabe - Avec Index des mots - Hafs 17x24cm
Éditeur Dar Al Ma'rifa
ISBN 9789933423056
Langue Arabe
Lecture Hafs
Format 17 × 24 CM
Dimensions 17 × 24 × 3,5 cm
Poids 1,20 kg
Type de couverture Couverture rigide artistique
Type de papier Blanc avec marges en chamois
Couleurs disponibles Noir, Bleu, Vert, Rouge
Contenu des pages Signification des mots - Index des sujets du Coran
Auteur Hafs 17x24cm

Explorez nos collections

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Retrouvez tous les livres des éditions Dar Al Ma'rifa chez Al-Imen.

Pourquoi faire confiance à cet ouvrage ?

Cet ouvrage a été rédigé par Avec Index des mots.

Publié par Dar Al Ma'rifa, une maison d'édition fondée par le Dr. Subhi Taha à Damas en 1986, pionnière dans la création du système de Tajwid codé en couleurs, adopté par l'université Al-Azhar en 1999 et devenu une référence mondiale pour l'apprentissage de la récitation coranique.

Disponible sur Al-Imen, librairie islamique de référence depuis 1982 à Bruxelles.

Librairie Al-Imen, spécialiste du livre islamique depuis 1982. Livraison rapide en France, Belgique et Europe. Retours acceptés sous 14 jours.

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SKU: 79364069484

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4.7 ★★★★★
Based on 909 reviews
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Product Reviews
M
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M. Edwards
Port Orchard, US
★★★★★ 4
Personal Creativity does not equal Domain Transformation
This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out). Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!). Some additional personal nuggets I gleaned from this book include the following: 1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199). 2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138) 3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322) The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 15, 2010
P
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pepe
Charlottesville, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 5, 2013
C
Verified Purchase
Charles H. Hooker Jr.
Omaha, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 4, 2023
D
Verified Purchase
Donald Walker
Boise, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 30, 2012
J
Verified Purchase
Judith R. Hert
Chelsea, US
★★★★★ 5
Wise and Complete
Format: Paperback
I've read a lot of books, too many, on creativity, and this is by far the best, the most complete, the most interesting. The idea that creativity comes out of immersion in a domain or field seems absolutely right and the idea missed by so many other writers. I'm a writer and a painter and I've learned that I'm not going to be any better than the work I've come to know and love, that I have to live in that work. If you want to be a better string player, play with a better ensemble. In many ways a creative person is someone who is in a conversation with what has come before, with work that excites her, teaches her, challenges her. This book makes that plain. But he has other insights as well, especially about the creative personality, the interesting dichotomies. Just read the book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 22, 2015

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