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Performance: Aperture 221Envisioning the intersections of photography and performance. This issue, a collaboration between Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. In the Words section, Tate curator Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum
Envisioning the intersections of photography and performance. This issue, a collaboration between Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. In the Words section, Tate curator Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum curator Lauren Cornell looks at how artists such as K8 Hardy, Juliana Huxtable, and Amalia Ulman use social media to calculated effect; Performa founder RoseLee Goldberg and MoMA curator Roxana Marcoci discuss performance, documentation, and the ways in which performances are crafted for the camera; and Kaelen Wilson-Goldie explores the lecture-performance form in the work of Lebanese artists Walid Raad, Rabih Mrou , Lina Saneh, and Joana Hadjithomas and Khalil Joreige. In the Pictures section, Delfim Sardo considers the Portuguese artist Helena Almeida's Inhabited Painting(s) and other works; Brian Sholis on the disquieting appeal of Torbj rn R dland's images; James Welling introduces his new series Dance Project; Olu Oguibe on Samuel Fosso's recent Mao Zedong series; Brian Dillon on Dru Donovan's recreations; Performa curator Adrienne Edwards on how Carrie Mae Weems animates minimalism; a look at the role of image research in the Hong Kong-based duo Zheng Mahler's Performa 15 debut performance; and Kristin Poor explores two approaches to photographing dance, by looking at Barbara Morgan's enduring images of Martha Graham, and Babette Mangolte's photographs of Trisha Brown's dance performances.Binding Type: Paperback
Author: Aperture
Published: 11/24/2015
Publisher: Aperture
ISBN: 9781597113243
Pages: 128
Weight: 1.75lbs
Size: 12.00h x 9.20w x 0.50d
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Product Reviews
★★★★★ 4
Actual glitter instead of highlighter
Color: Gold, Size: 3.38 Fl Oz (Pack of 1)
I was looking for a glow body oil that had actual pieces of glitter in it, instead of just a body highlighter (like many of the other market glow oils) and this is exactly what I was looking for. It smells delicious and is very moisturizing. It does feel like an oil, but it is lightweight. I have the sol de janiero glow oil and the main differences are the pieces of glitter vs the highlighting effect. Its not an over powering amount of glitter but just enough that if the light hits you, you can tell there is a shine
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 13, 2025
★★★★★ 5
Love
Color: Gold, Size: 3.38 Fl Oz (Pack of 1)
I love how this smells, looks and feel
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 15, 2026
★★★★★ 3
Glass bottle
Color: Gold, Size: 3.38 Fl Oz (Pack of 1)
Smells nice, not the shimmer I was looking for. It wasn’t super glittery like another brand I had. Also it’s in a glass bottle. So I didn’t feel comfortable packing it on my trip.
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Reviewed in the United States on February 26, 2026
★★★★★ 5
Shimmer body oil
Color: Gold, Size: 3.38 Fl Oz (Pack of 1)
Nice Product
Lite and a little bit of shimmer
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Reviewed in the United States on February 21, 2026
★★★★★ 5
Probably buy again
Color: Gold, Size: 3.38 Fl Oz (Pack of 1)
It actually moisturizes pretty well, smells pretty amazing and its not greasy. but could make it easier to get the oil out.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 18, 2026
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