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Description
送料無料 お名前シール(スタンダード アイロン伸縮タイプ 148ピース)虹色スウィートパステルチャーム375 148 148 745 148OK ! 1 T :60mm20mm(2) :43mm15mm(21) :30mm8mm(60) :23mm6. 5mm(56) :20mm20mm(9) 121014(JIS2) 11 ( () 57() ()() 5 24 : A4 57() PC
商品タイプ
【アイロン伸縮タイプ 148ピース】
アイロンでピタッと貼るだけの布用シールで、伸びるものにもOK。便利なカット済みなので、手間なく簡単＆スピーディーです。
この度、シールのバリエーションを増やしてリニューアル!1シートあたりの枚数がさらに増えて、使いやすくなりました。
シール自体に伸縮性があるので、靴下やTシャツ・体操服・肌着など伸び縮みするストレッチ素材のものにおすすめ。シールの表面は、布の色が透けない素材を使用。印字されたお名前がきちんと見えるので安心です。
※ご使用前に取扱説明書を必ずお読み下さい。
特大:横60mm×縦20mm(2枚)
大:横43mm×縦15mm(21枚)
中:横30mm×縦8mm(60枚)
小:横23mm×縦6.5mm(56枚)
角:横20mm×縦20mm(9枚)
大:横43mm×縦15mm(21枚)
中:横30mm×縦8mm(60枚)
小:横23mm×縦6.5mm(56枚)
角:横20mm×縦20mm(9枚)
ひらがな・カタカナの場合12文字以内、漢字の場合10文字以内、アルファベットの場合14字以内となります。(JIS規格第2水準漢字まで入ります。)
・1シートに印字するお名前は1種類のみとなります。
・書体・印字の色は選べません。
・記号・罫線・ロゴ・旧漢字の印字はできません。
・名前と苗字の間には自動的にスペースが入ります。
文字間の幅やバランスのご指定はお受けできません。
(当社で調整させていただきます。予めご了承ください。）
お名前シールの書体は、学校の教科書で学ぶ文字を使用しています。文字を覚えたての子供が、自然と正しい文字を覚えることができます。
※子供が間違いやすい「き」や「さ」などのつながり文字は使用しておりません。
・1シートに印字するお名前は1種類のみとなります。
・書体・印字の色は選べません。
・記号・罫線・ロゴ・旧漢字の印字はできません。
・名前と苗字の間には自動的にスペースが入ります。
文字間の幅やバランスのご指定はお受けできません。
(当社で調整させていただきます。予めご了承ください。）
お名前シールの書体は、学校の教科書で学ぶ文字を使用しています。文字を覚えたての子供が、自然と正しい文字を覚えることができます。
※子供が間違いやすい「き」や「さ」などのつながり文字は使用しておりません。
※ゆうパケット便での発送となります。
※ご一緒にご注文いただいた他の商品とは別送となります。
※ご注文いただいてから通常5～7営業日での発送となります(土日祝は営業日外となります)。日時指定はできません。
※受付状況・配送状況によりお届けが遅れる場合がございますので、予めご了承ください。
※ご一緒にご注文いただいた他の商品とは別送となります。
※ご注文いただいてから通常5～7営業日での発送となります(土日祝は営業日外となります)。日時指定はできません。
※受付状況・配送状況によりお届けが遅れる場合がございますので、予めご了承ください。
受注生産のため、ご注文後の内容変更やキャンセルはできませんので、ご了承ください。
アイロンをかける前のご注意
・表面に防水加工や特殊加工がされている生地(ビニール、合皮)、起毛素材(タオル)には付けないでください。
・合繊やナイロン系の熱に弱い布地は、アイロンは使用できませんので縫い付けてください。
・リブなど凹凸のある素材には圧着しにくい場合があります。
・新品の製品は、糊や表面加工によりうまくつかない場合があるので、一度洗濯をしてから接着してください。
・生地自体に弱撥水～通常撥水の加工がされていると圧着しにくい場合があります。
・漂白剤の入った洗濯洗剤で洗濯された衣服に関しては、圧着しにくく、はがれやすくなる場合があります。
・スチームアイロンは、スチームの状態では使用しないでください。
・アイロンをあて過ぎますと、生地などを焦がすおそれがございますのでご注意ください。
・アイロンをあてる際は、あて布をしてください。あて布が厚すぎると熱が伝わりにくい場合があります。
・濡れた布には接着できません。
・一度接着するとはがれませんのでご注意ください。
・けがややけどには十分ご注意ください。作業中のけがや事故等については一切保障いたしかねます。
※伸縮性のある布地に付ける場合は＜アイロン伸縮タイプ＞をご使用ください。きれいに仕上げるためには
アイロンは5分以上予熱して、接着する直前に温度が下がっていないか確認してください。
アイロンは布の上をすべらせずに、上からしっかり体重をかけて押しあててください。
シールの周辺と角にしっかりアイロンをあててください。はがれそうな場合は再度アイロンをあててください。
アイロンの先端ではなく、中心部の辺りであてて下さい。
あて布が厚すぎると熱が伝わりにくいおそれがあります。
よく冷ましてからあて布をはがして下さい。
アイロンをかけた後のご注意
ドライクリーニングはお避けください。こすり洗いや乾燥機のご使用ははがれるおそれがございます。
お洗濯の際はネットをご使用になるか、裏返しにして洗ってください。
シールの印刷面に直接アイロンをあてないでください。アイロンをあてる際はあて布をしてください。
シールを接着した生地の裏面をアイロンする際、アイロン台へ絵柄が移る可能性がございますのでご注意ください。
・シール接着後、24時間以上あけてから洗濯してください。
・表面に防水加工や特殊加工がされている生地(ビニール、合皮)、起毛素材(タオル)には付けないでください。
・合繊やナイロン系の熱に弱い布地は、アイロンは使用できませんので縫い付けてください。
・リブなど凹凸のある素材には圧着しにくい場合があります。
・新品の製品は、糊や表面加工によりうまくつかない場合があるので、一度洗濯をしてから接着してください。
・生地自体に弱撥水～通常撥水の加工がされていると圧着しにくい場合があります。
・漂白剤の入った洗濯洗剤で洗濯された衣服に関しては、圧着しにくく、はがれやすくなる場合があります。
・スチームアイロンは、スチームの状態では使用しないでください。
・アイロンをあて過ぎますと、生地などを焦がすおそれがございますのでご注意ください。
・アイロンをあてる際は、あて布をしてください。あて布が厚すぎると熱が伝わりにくい場合があります。
・濡れた布には接着できません。
・一度接着するとはがれませんのでご注意ください。
・けがややけどには十分ご注意ください。作業中のけがや事故等については一切保障いたしかねます。
※伸縮性のある布地に付ける場合は＜アイロン伸縮タイプ＞をご使用ください。きれいに仕上げるためには
アイロンは5分以上予熱して、接着する直前に温度が下がっていないか確認してください。
アイロンは布の上をすべらせずに、上からしっかり体重をかけて押しあててください。
シールの周辺と角にしっかりアイロンをあててください。はがれそうな場合は再度アイロンをあててください。
アイロンの先端ではなく、中心部の辺りであてて下さい。
あて布が厚すぎると熱が伝わりにくいおそれがあります。
よく冷ましてからあて布をはがして下さい。
アイロンをかけた後のご注意
ドライクリーニングはお避けください。こすり洗いや乾燥機のご使用ははがれるおそれがございます。
お洗濯の際はネットをご使用になるか、裏返しにして洗ってください。
シールの印刷面に直接アイロンをあてないでください。アイロンをあてる際はあて布をしてください。
シールを接着した生地の裏面をアイロンする際、アイロン台へ絵柄が移る可能性がございますのでご注意ください。
・シール接着後、24時間以上あけてから洗濯してください。
※用紙サイズ:A4
素材：白ポリウレタン
素材：白ポリウレタン
納期：ご注文いただいてから通常5～7営業日での発送となります(土日祝は営業日外となります)。日時指定はできません。
配送：ゆうパケット便にて別送
※お名前シールの代金引換配送はご利用いただけませんのでご了承ください。
●商品の画像の色について
※お客様のモニター設定やPCの機種、室内環境等により、色味に違いが発生してしまう場合もございます。
●商品仕様について
商品は写真と異なる場合や同等品へ仕様変更する場合がございます。予めご了承ください。
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4.4 ★★★★★
Based on 1427 reviews
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Product Reviews
★★★★★ 5
Amazing Collection!
Format: Hardcover
I've loved Crystal Wilkinson's fiction for so long, so I'm thrilled to see her new book of poems (along with some essays and gorgeous/compelling artwork by Ron Davis). So many memorable image systems work their ways through the poems: creek water, tobacco, the Black body, blood, knives, food and kitchens--symbols and themes which have always marked Wilkinson's oeuvre in one way or another. Her language is lyrical in describing the brutalities of farm life, abuse, grief, and loss. This poetry collection is just stunning!
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Reviewed in the United States on November 9, 2021
★★★★★ 4
Need my own copy.
Format: Kindle
Looking forward to more of her work, and rereading this book. Some very evocative lines awake my granma memories much like the granmother memories herein.
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Reviewed in the United States on February 24, 2022
★★★★★ 5
Amazing Book...
Format: Paperback
It takes a lot nowadays for me to rate any Fiction book 5 stars. I read way more non-fiction, and usually only read highly recommended fiction, or some that's given to me.
There are plenty of other reviews here that tell you how it's not a "happy" book (why that matters i dont know), so i wont go on about that part. I dont base my reading choices on whether they have a happy fantasy story.
This story is very real. The writing is really good. I have several points that i use to rate a book: the story itself, the actual writing style, the 'entertainment' value, the emotions it brings out - laughter, sadness, etc., and if it's very memorable - either by being very different than anything i've ever read, or by something else about it being very different.
The only point out of all of those that i wouldnt give a 5 would be the writing style/prose - which i'd give a 4. It's very good, but not "amazing" to me like some authors are.
The author brought me into the characters - where i could feel what they were feeling, and i understood why they did the 'bad' things they did - totally. I felt the way they lived, the area, the poverty... As the story progressed, i stayed up one night for HOURS wanting to know what happened - until the sun rose actually.
As the finale was coming - which i had no idea would be the way it was - i was literally gripping the book with both hands and holding it up to my face. I realized this and laughed to myself since i hadnt even noticed. Then - i sobbed thru the last 20 pgs - i havent cried from ANY fiction for a long time. Yes, i get into books and really let them take me away, but this book has a special kind of writing and a special story that i never expected to effect me sooo much.
The author THEN does something so amazing at the very end - when i couldnt believe it could get any better. I KNEW what i wanted to happen - and i kept thinking to myself, "no, it wont - because it will just seem to corny if it does." (Even tho i wanted it so much.) She made it happen in a special way, without making it corny but while bringing me the hope and good feeling i needed after all the sobbing. (I dont want to give anything away just in case you dont know the story.)
This book scores an A+. If you love good, moving, American fiction you will love this.
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Reviewed in the United States on October 21, 2013
★★★★★ 4
Brava, Ms. Ward
Format: Paperback
I read this novel, along with nine others, for a college literature course. Of the ten, this was the only book to elicit a strong emotional reaction from me. There were moments when I hung my head in frustration, threw up my hands in respect (God bless Ward’s writing style), and wiped my face of tears and snot after crying my eyes out. An incredibly moving and poignant novel.
The novel opens with its narrator Esch, fourteen years old and pregnant. She often follows her brothers around, and is constantly surrounded by men as well as the gruesome society of dog-fighting. Esch’s predominant male surrounding is, perhaps, the main influence that encourages her to sleep with her brother’s friends, and to submissively pine for the one boy, Manny, who unforgivingly mistreats her. Though Esch’s character was impeccably frustrating, and borderline stereotypical and archetypal, her faults lie with a motherless young girl, who wants to be wanted and loved. Both frustrating and annoying, this characterization was, at times, unlikable, yet that is exactly what made Esch so human.
I applaud Ward’s lyrical writing style, as well her ability to write such gruesome and honest depictions that made me literally cringe when reading. Ward is able to effortlessly incorporate poetic language into her novel that, at times, made me set the book in both awe and envy, knowing I would never be able to produce such a product. I did find there to be a disconnect between the poetic language and the colloquial diction. That’s to say, I found it a bit unbelievable that Esch would speak so poorly to her family and friends, yet express herself so eloquently in her narration. Regardless, I found the poetic language to be successful and moving.
I knew before reading the book that it was centered on Hurricane Katrina. However, I was surprised that the novel was centered on the build-up to the hurricane. Katrina itself is more or less twenty pages. The chapter pertaining to the hurricane, as well as the aftermath of the hurricane, were the sections of the novel that I found most captivating. Living through the hurricane with Esch and her family was difficult to read, which is perhaps why Ward chose to limit its description. That said, I wish I had more of Katrina and its aftermath. I waited for the hurricane for 200 pages, and it seemed to end as soon as it started. Though I was unsatisfied by the ending, I appreciated that the novel was a work that was not so much about Katrina as it was about survival and family.
I was captivated by Ward’s poetic writing and honest characters. I will definitely be on the lookout for her other works, as well as an avid recommender of this novel.
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Reviewed in the United States on December 10, 2015
★★★★★ 5
00 361 pages Hurricane Katrina spawned an awesome number of literary works
Format: Kindle
Salvage the Bones by Jesmyn Ward
New York: Bloomsberry
$24.00 361 pages
Hurricane Katrina spawned an awesome number of literary works, and it may be that, given sufficient time to determine the full merits of Jesmyn Ward’s novel, Salvage the Bones, her work may be the most worthy. Perhaps the theory that great disasters (wars, natural disasters) invariably produce great works of art (operas, novels, paintings, etc.). This theory was often discussed by Flannery O’Conner who commented on the irony of the “creative renaissance” in southern literature which owes its origin to the extensive suffering and injustice associated with slavery and the Civil War.
The narrator of Salvage the Bones is Esch, a fifteen-year-old girl living in Bois Sauvage, a predominately black bayou town which happens to be in the direct path of Katrina. Set in the twelve days leading up to, and just after the arrival of the hurricane, the novel presents each day as a distinct vignette. Esch and her brothers spend each day preparing for the terrifying arrival. They have no intention of leaving and attempt to help their drunken father reinforce their shack with sheets of plywood. They collect and store bottles of drinking water. Food supplies tend to consist of Top Ramen moon pies, vienna sausage, potted meat and eggs gathered in the woods.
However, despite Katrina’s approach, Esch and her brothers seem to be primarily concerned about their white pit bull, China who has just given birth to five pups. China has developed a reputation in the dog fights that take place in “The Pit” in Bois Sauvage. She is a killing machine, a fact that makes Esch and her brothers the envy of their neighbors. The family’s meager economic security depends on China and each day is spent grooming, washes and feeding her. Indeed they fawn over the big dog, telling everyone that her puppies will grow up to have a killer instinct and therefore, they are invaluable. Much of the intrigue in Esch’s daily life revolves around protecting China and her pups. Skeetah is Esch’s oldest brother and the dog’s self-appointed trainer.
Esch has a multitude of problems. She struggles to love her handicapped
father and is haunted by the memory of her mother’s death. Now, she discovers that she is pregnant by Bois Sauvage’s “golden boy,” Manny, the boy who put the baby inside her is totally indifferent to the consequences of a rough and tumble frolic in the dark. As each day brings more distress, the homely, pug-faced teenager turns to her imagination, searching for a means to deal with the world around her, and as luck would have it, that is Edith Hamilton’s Mythology, which was a required reading at school. Esch begins to see the people around her as characters in her favorite book. She observes that all the girls in Bois Sauvage seem to be acting like their mythical counterparts: Psyche, Eurydice, Daphne - all of them running away from something or running after someone. However, the mythical character that Esch selects for her own role model is an ominous one. It is Medea, the fierce and vindictive wife of “the golden-haired Jason, who kills her own brother when he stands in the way of her love for Jason; and when that love turns to hate, she then murders Jason’s new wife, Creusa, her father, Creon and even kills her own children.
Of course, Esch is not going to harm anyone. Although she is filled with rage at the world around her, she is actually one of the forces that is holding everything together; China, the white pitbull is another. When Katrina reaches landfall, it comes like some apocalyptic act of God, sweeping everything away, including Esch’s home and all of their feeble efforts to battle the rising water. In the end Salvage the Bones acquires a kind of epic grander. Like Noah or Gilgamesh, the waters finally withdraw, leaving a confused and humbled Bois Sauvage. How much has been lost? The puppies are gone and so is China - but given the dog’s character, she may have survived. Perhaps Skeetah and his brothers will find her.
The reader is left with a singular image. Skeetah, the oldest brother sits in the wreckage of their home, and while everyone else is searching for missing children, furniture and cars, Skeetah looks at his brothers and announces, “She will come back to me.” Esch tells us:
“He will watch the dark, the ruined houses, the muddy appliances,
the tops of the trees that surround us whose leaves are dying for
lack of roots. He will feed the fire, so it will blaze bright as a
lighthouse. He will listen for the beat of her tail, the padding
of her feet in the mud. He will look into the future and see her
emerge into the circle of his fire, beaten dirty by the hurricane
so she doesn’t gleam anymore. So, she is the color of his teeth,
his eyes, of the bone bounded by his blood, dull but alive,
alive, alive, and when he sees her, his face will break and
run water.
And what of Esch who loves the white dog? She says that China will look at me and know “I am a mother.”
Hopefully, it is apparent that this is a remarkable book. However, it was almost lost in the loud braying and confusion that dominates much of publishing business now. Even so, it won the National Book Award in 2011.
Now, after a strange silence, it is beginning to get the attention that it deserves.
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Reviewed in the United States on March 3, 2016