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Tort Law & How It's Tied To Our Culture

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Description

Tort Law & How It's Tied To Our CultureTort Law and How Its Tied to Our Culture is a socio legal history of the norms, customs, and eventual private laws of civil remedies for wrongs, or Tort. Oliver Wendell Holmes described law as a grand anthropological document. This can be said with even greater force of Tort Law, the most dynamic field within the Common Law. Whether in the form of an unwritten lesson of a myth or folktales, or rendered as written law, Tort Law reflects a cultures

Tort Law and How It’s Tied to Our Culture is a socio-legal history of the norms, customs, and eventual private laws of civil remedies for wrongs, or Tort. Oliver Wendell Holmes described law as “a grand anthropological document.” This can be said with even greater force of Tort Law, the most dynamic field within the Common Law. Whether in the form of an unwritten lesson of a myth or folktales, or rendered as written law, Tort Law reflects a culture’s superego, a guide to what individuals ought forego doing in the interest of a community’s safety, dignity, and prosperity. The work provides an entertaining and scholarly tour of Tort Law from its beginnings in the unwritten oral traditions of folktale and myth, through the ancient law codes of Mesopotamia and the cohering work of the Greeks and the codifications of the Romans and later Gothic groups, to early religious recitations of behavioral ethics. Separate treatment is afforded the vital role of the Common Law in an increasingly statutory age, exemplary or punitive damages, and the congruence between the application of tort-type remedies in the English-speaking Common Law nations and the significant number of Civil Code nations applying law more directly descended from Roman Law and the Napoleonic Code.

About the Author

M. Stuart Madden is Past Distinguished Professor of Law at Pace University School of Law. He continues to research, write, and publish on legal matters with a recent emphasis on Ancient Law, Ethics, and Socioeconomics. His publications have been relied upon in numerous judicial decisions and academic articles. He lives in White Plains, New York, with his wife, Sandra, with whom he enjoys native gardening of nectar and pollen-producing plants, and also home renovation.

Praise for Tort Law:

"As a work of legal scholarship, M. Stuart Madden’s Tort Law and How It’s Tied To Our Culture is well off the beaten track -- which is precisely what makes it so rewarding. A recognized authority on tort law in general and product-liability law in particular, Madden widens our perspective on his subject to encompass historical, anthropological, and even philosophical factors, alongside the purely legal. The benefits are significant, not only to the legal community but to laymen like myself.

The author begins with a description of tort law as the latest iteration of a mechanism as old as civilization itself and in fact vital to its construction: formalized means of mediating disputes within a community without recourse to blood feuds and clan loyalties. He lists the sorts of conflicts that beset early nomadic, pastoral, and tribal groupings no less than modern ones (e.g., disturbing the peace, manslaughter, assault, trespass, theft, defamation, etc.), then charts the various paths by which some form of material compensation gradually came to replace physical punishment or violence in the adjudication of those conflicts by whatever council, chieftain, or other authority secured the power to resolve them. The moral norms these communities came to evoke and enforce in the process, Madden proposes, were rooted in ancient mythologies and folklore, just as the norms we moderns evoke are rooted in our own religious and philosophical inheritance. All this serves to lay a firm foundation for the author’s eventual description of tort law as, universally, a kind of “societal superego,” encoding “society’s revealed truth as to the behaviors it wants to encourage and the behaviors it wants to discourage (pp. 296, 291). In short: tort law, in one way or another, has been around from the very beginning, and its development has always both reflected and encouraged the moral maturation of those abiding by it.

Madden returns again and again to the theme of tort law’s adaptability, and its role in what we might call the civilizational process. On that subject, he has interesting things to say about the legal codes of ancient Greece (mainly Athens) and Rome. But the most illustrative case-studies in this section of the book are to be found in the author’s analyses of the various Germanic peoples’s encounters with Roman law and the civilization it effectively bonded, as the German tribesmen strove first to incorporate themselves into the Roman world and then to construct its replacement as it crumbled. In fact, one of the book’s several tours de force is a nuanced, compelling account of how the Goths, in particular, selectively incorporated Roman law into their own codes and Roman norms into their own culture to produce a hybrid civilization, “the progressiveness of which, when seen relative to its own time, stood on an equivalence with any other populations of the early Middle Ages” (p. 150).

That, however, is not the only meaty discussion here. A little more than midway through the book, Madden fuses his consideration of tort law with a broader consideration of the common law itself. His main interest here lies in defending the common law from claims that it has been marginalized by the enormous expansion of statutory law since the 1960s, i.e., the suggestion that common law now serves as little more than “background music for a modern statutory lyric” (p. 192). On the contrary, in Madden’s view, those who would consign to irrelevance a tradition “which for 800 years has woven the custom and morality of English-speaking nations into the fairest dispute-resolution mechanism ever devised” have both overstated that tradition’s weaknesses and undervalued its strengths (p. 192).

Madden himself is neither blind to those weaknesses nor naïve about those strengths. His inventory of the common law’s liabilities include its internal contradictions; its conferral of expansive powers on judges; its occasionally “cavalier” treatment of stare decisis; and more. His reckoning of its merits stresses its responsiveness to case particularities; its adaptability and capacity for growth; and, above all, its embeddedness in broader moral commitments. In fact, the heart of this section of the book is the author’s consideration of the moral dimensions of common law -- which, he argues, encompasses varied strands of moral reasoning that cannot and do not coexist without tension. There is a “utilitarian” inflection, which Madden understands as a stress on the maximization of social benefit (defined, usually, in terms of wealth-generation). But that sits uneasily with the common law’s historic role in providing “corrective justice” in areas of private concern, or the “remediation of the plaintiff’s wrongfully-caused harm” whatever the effects on economic efficiency. What precludes a destructive divergence of those separate strains of common-law morality, Madden feels, is the leavening effect of American cultural history itself, favoring such threads of the common-law tradition as American society prioritizes at a given time without ever fully submerging the other. Notably, the “polycentric” variety of legal reasoning carried within our common law has been effective despite its limitations and internal stresses, and widely applicable despite its case-specific focus, precisely because it lives “at the borders of societal and business dynamics” where “pre-existing doctrinal propositions do not provide a clear answer” (p. 206).

As a vital component of the common-law corpus, tort law in Madden’s judgment has midwifed “an unequaled American commitment to personal freedom, opportunity, dignity, and mutual expectations” (p. 257). Its treatment here, then, concludes with a paean to tort law’s historic contributions to “the magisterial human experiment in moderation, fairness, efficiency, equality, and justice in social groupings.” By the time they finish it, most readers of this well-researched, absorbing, and illuminating book will agree." - Prof. John J. Cerullo

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SKU: 17941991464

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4.2 ★★★★★
Based on 26 reviews
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Allie
San Leandro, US
★★★★★ 5
Perfect for Mystery Lovers and Overthinkers
Format: Paperback, Format: Paperback
I picked this up thinking it would be a quick little puzzle book and ended up way more invested than I expected. The entire concept is basically solving a murder mystery through elimination clues, and it honestly feels like a mix between Clue, logic puzzles, and a detective game you can do by yourself. Each page gives you clues about who the killer is NOT, so you slowly narrow down the suspects by crossing out names based on things like syllables, vowels, letters in their name, etc. Some clues are super straightforward and others make you stop and really think. It’s surprisingly addicting once you get into it. What I like most is that it actually keeps your brain busy for a long time. This is not one of those puzzle books you finish in an hour and forget about. I’ve been working through it slowly because there are SO many pages and clues. It’s honestly kind of funny how serious I got trying to figure it out. The layout is easy to follow, the concept is original, and it’s a great option if you like mystery games, logic puzzles, escape rooms, or anything detective-related. I could also see this being really fun to bring on a trip or keep around for downtime instead of scrolling on your phone. Definitely worth it if you enjoy interactive mystery books and want something different from the usual word searches or crossword puzzles.
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Reviewed in the United States on May 12, 2026
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ChaCha
New York, US
★★★★★ 5
Better Than the Movie
Format: Hardcover, Format: Hardcover
I picked up Remarkably Bright Creatures after hearing so much buzz about it, and it absolutely lived up to the hype. This is one of those rare books that is heartfelt, funny, emotional, and completely unique all at the same time. The characters feel real and layered, and the story unfolds in such a thoughtful, satisfying way. Marcellus the octopus completely steals the show. I didn’t expect to become so attached to an octopus, but his chapters were easily my favorite part of the book. They added humor, wisdom, and so much heart to the story. If you’ve already seen the movie adaptation but haven’t read the book yet, you absolutely should. The book goes so much deeper emotionally and gives so much more background and connection between the characters. I enjoyed the movie, but the book made me care about the story on a completely different level. The writing is approachable and easy to get into, but it still leaves a lasting impact. This would make a great book club pick or gift for anyone who enjoys character-driven stories with warmth and emotional depth.
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Reviewed in the United States on May 25, 2026
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S. Oliver
Draper, US
★★★★★ 5
Great story and characters
Format: Kindle
I had to see what all the hype was about and after seeing the trailer on Netflix I knew I had to read the book before I watched the movie. I have to say, this was one of the better books I've read so far this year. It's not a fast paced read but it held my interest the entire time. The characters are very well developed and I really grew to like Tova and Cameron, of course Marcellus is the star of the show and is as witty as they come. If you're looking for a good read I highly recommend this one. The octopus is a difficult creature to care for so I sincerely hope the "octopus tank craze" doesn't start over this like the "clownfish tank craze" did when Finding Nemo came out. Leave it to the expert level saltwater hobbyist to care for them or better yet, leave them in the ocean. I have to mention too that this is the author's debut novel and for a debut novel it's very impressive, I'll look for others from her in the future.
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Reviewed in the United States on May 25, 2026
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Stephanie McCall
Whiting, US
★★★★★ 4
A Remarkable Book--I Want More Like It!
Format: Kindle
I stumbled on Remarkably Bright Creatures among my recommendations. As often happens, the premise intrigued me enough to read it even though I didn't know the author. Well, if Shelby Van Pelt often writes like this, I definitely want more of her books. The friendship between Tova the aquarium cleaning lady and Marcellus the giant Pacific octopus is a definite selling point in this book. It's a great twist on the "A Kid and Their X" trope (the kind of thing you see in stuff like Where the Red Fern Grows, Old Yeller, Free Willy, and so forth). This one, I am pleased to report, is far less cheesy and saccharine. Tova is a multifaceted character whose life may seem small in her estimation, and probably is if we go by what is a "normal" life in a small seaside town. Yet that life has been stuffed with complex emotions, unanswered questions, and a longing for "more" that I think everybody can relate to. At least, I certainly could. As for Marcellus, he's multifaceted, too. A part of me did stick with his point of view, and story, because it is a story of a "remarkably bright," underestimated creature trapped and controlled in a world he doesn't understand. I have cerebral palsy and was diagnosed as level 1 autistic this spring; I'm still looking back and trying to heal from a lot of the latter's implications. So in a visceral way, yeah. I'm not a captive animal or mistreated, but I understood how Marcellus felt. What I liked even better about his story though, is that Marcellus' story doesn't stop there. Marcellus actually has a life and a history that Shelby Van Pelt, Tova, Cameron, and other characters dig into. He's not just a captive yearning for freedom and mourning lost opportunities, as often happens with similar stories. He makes wry, witty, yet quiet, non-snarky observations about humans. He cares deeply for Tova because she took time to know him as a "person," but also because she's the only human who has ever stopped long enough for Marcellus to know as a real "person." Marcellus gets to be the conduit of real revelation and change for people inside and outside his world. That's amazing, and frankly, it's a lot more than many human characters get. Remarkably Bright Creatures couldn't succeed with just Tova or Marcellus though, or at least not as well as it did, I think. The other characters pop off the page as well. Cameron is my favorite, precisely because I didn't expect to like him at first. By his own admission, he comes off as a burnout and a loser, and I admit, that's how I saw him to begin with. But as with Tova and Marcellus, Cameron is hiding a lot of layers, a lot of depth. He's got a great heart, but he's still a typical, kinda clueless 30-year-old guy (and I'm still a 30-something so I say that tongue in cheek). He's vulnerable but not pitiful; he plays the victim sometimes, but then he gets mad at being called out on that and wants to do better. He struggles and is a burnout, but he's got good, solid friends and some real interests and potential. In other words, I got really into his arc, especially once Tova, Marcellus, and even Ethan got involved. As for Ethan, he's unexpectedly cool, as well. I admit some brownie points with him, as I love all things Scottish or Irish and he is of Scottish descent. But I also didn't expect a shopkeeper in his '70s with a gruff edge to be a Grateful Dead fan or to get along so well with a neat and tidy, tiny Swedish aquarium cleaner, so brownie points on plot and character there. In fact, Ethan's role in the story, in particular, went all kinds of unexpected places, so without spoiling anything, I'll tell you to keep an eye on it. Finally, Shelby wins some extra brownie points for a lot of the "little" things that "pop" out at me when reading a book like this one. For instance, I love cats and love the reluctant yet affectionate relationship Tova develops with a stray cat. I love Marcellus' Collection and the pride and care he takes in it. I love and felt some heartbreak over Tova's reminiscing about the attic playroom that never got to be a playroom. But I think the thing I loved most about Remarkably Bright Creatures is how remarkable Shelby showed readers humans--and creatures--can be, without getting heavy-handed or cheesy. There are some romances here, so to speak, but this is a relationship novel, and those are, have been for the past several years, some of my favorite ones. There is some language here, so caveat emptor if that's not your thing. From a writer's perspective, I also wondered how much some threads or characters were actually needed. For instance, looking back, I understand why Tova had a brother, but I'm unsure how much he furthered the plot. Similarly, I understand the roles of Avery and Marco but again, am unsure how much they furthered the plot. Also, I almost hate to say it, and I could be wrong about this. After all, I know about as much concerning octopi as the average person who watches Jeopardy (which I do). But while Marcellus' plot thread is great, and while I definitely understand suspension of disbelief, I did wonder along with Cameron how much those boundaries were pushed. I mean, I buy Marcellus getting out of his tank, and with the right Collection items, I guess Tova and Cameron could've figured out whatever they needed to know. But...there's a logical shard of me that isn't quite sure she buys how everything lined up, I guess. All that aside though, Remarkably Bright Creatures is still a remarkable book. As often happens, I'm now eager to find more like it. And yes, it does get a hearty recommendation. At the very least, I'll want to take closer looks next time I go to an aquarium.
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Reviewed in the United States on January 22, 2025
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Kindle Customer
Houston, US
★★★★★ 5
Beautiful!
Format: Kindle
I heard about this book in a conversation at a craft party and ordered it the same night. I was not disappointed. I fell in love with Marcellus and Tova and their delightful relationship, and with all the ancillary characters that made this book so special. The ending was so very sweet and satisfying as well. Great 1st book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 27, 2026

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