SKU: 84024206516

Suzuki GSX 8R [2024-2025] - Easyrack

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Description

Suzuki GSX 8R [2024-2025] - EasyrackPassend fr Baujahre: [2024 2025]. Hersteller Marke: HEPCO & BECKER Modell: GSX 8R. Artikel: Easyrack. Produktbeschreibung: HEPCO & BECKER Easyrack fr GSX 8R Allgemeine Informationen Das Easyrack von HEPCO & BECKER ist ein speziell fr die Modelle GSX 8R der Baujahre 2024 2025 entwickelter Topcasetrger. Dieses System besteht aus einem modellspezifischen Montagekit und einer Adapterplatte, die fr die Montage von HEPCO & BECKER Topcases oder Softgepck

Passend für Baujahre: [2024-2025].

Hersteller/Marke: HEPCO & BECKER

Modell: GSX 8R.

Artikel: Easyrack.

Produktbeschreibung: HEPCO & BECKER Easyrack für GSX 8R

Allgemeine Informationen

Das Easyrack von HEPCO & BECKER ist ein speziell für die Modelle GSX 8R der Baujahre 2024-2025 entwickelter Topcaseträger. Dieses System besteht aus einem modellspezifischen Montagekit und einer Adapterplatte, die für die Montage von HEPCO & BECKER Topcases oder Softgepäck optimiert ist. Es ist zu beachten, dass dieses Rack nicht für Topcases mit einer universellen Kunststoffplatte geeignet ist.

Konstruktion und Material

Die Konstruktion des Easyrack vereint eine solide Basis aus Stahl mit einer Trägerplatte aus Aluminium. Diese Materialkombination gewährleistet sowohl eine hohe Stabilität als auch eine ansprechende Optik. Das Rack integriert zusätzliche Befestigungspunkte für Gepäckgurte, die es ermöglichen, weiteres Gepäck sicher zu transportieren.

Lieferumfang und Montage

  • Im Lieferumfang enthalten sind der Easyrack Topcaseträger, das modellspezifische Montagekit und eine Montageanleitung.
  • Für die Montage des Topcases sind keine weiteren Adapter notwendig.

Technische Details und Hinweise

  • Das Easyrack zeichnet sich durch ein hochwertiges Oberflächenfinish aus.
  • Das Rack ist so konzipiert, dass der Bügel zur Topcaseaufnahme bei Nichtgebrauch eingeklappt werden kann, im Gegensatz zum starr stehenden Bügel des Alurack-Modells.
  • Der Grundträger des Easyrack ist identisch mit dem des Alurack.
  • Die empfohlene Zuladung beträgt 5 kg. Weitere modellspezifische Hinweise finden sich in der Montageanleitung und den Herstellerangaben des Motorrads.
  • Empfohlene Höchstgeschwindigkeit mit montiertem Gepäckträger: 130 km/h.
  • Das Rack wurde ausschließlich für den Serienzustand der Maschine entwickelt und nicht mit zusätzlichem Zubehör wie Auspuffsystemen, Kennzeichenhaltern oder anderen Blinkern getestet.
  • Es ist zu beachten, dass schweres Gepäck vorzugsweise in Seitenkoffern oder einem Tankrucksack transportiert werden sollte, um die Fahrsicherheit zu gewährleisten.
  • Für die Montage und Nutzung des Gepäckträgers ist keine Allgemeine Betriebserlaubnis (ABE) oder Eintragung erforderlich.

Diese spezifische Konstruktion des Easyracks sorgt dafür, dass es sich nahtlos in das Design der GSX 8R einfügt und gleichzeitig eine funktionale und sichere Lösung für die Mitnahme von Gepäck bietet.

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SKU: 84024206516

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4.3 ★★★★★
Based on 213 reviews
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A. Jimenez
Belleville, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
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Reviewed in the United States on September 25, 2012
T
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Terry L.
Lowell, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 15, 2015
G
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George Vargas
West Palm Beach, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 26, 2017
H
Verified Purchase
Howard
Grantham, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
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AlanWarner
San Leandro, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015

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