SKU: 71454336690

The Posthumous Papers of the Manuscripts Club

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The Posthumous Papers of the Manuscripts Club'Exquisite intelligent, illuminating, mischievous delightful The Times The acclaimed author of Meetings with Remarkable Manuscripts introduces us to the extraordinary keepers and companions of medieval manuscripts over a thousand years of history The illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. But we

'Exquisite... intelligent, illuminating, mischievous ... delightful The Times The acclaimed author of Meetings with Remarkable Manuscripts introduces us to the extraordinary keepers and companions of medieval manuscripts over a thousand years of history The illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. But we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence. This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years. A monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America - all of them were participants in what Christopher de Hamel calls the Manuscripts Club. This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel's unexpected connections and discoveries reveal a passion which crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been. In 1850 (or thereabouts) John Ruskin bought his first manuscript 'at a bookseller's in a back alley'. This was his reaction: 'The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold - as many of them were - cannot be told.' The members of de Hamel's club share many such wonders, which he brings to us with scholarship, style, and a lifetime's experience.

EAN: 9780241304389
Farbverschnitt: Generell werden die Bücher ohne Farbverschnitt geliefert, auch wenn die Abbildungen einen Farbverschnitt zeigen.
Erscheinungsjahr: 03.10.2024
Autoren: Hamel, Christopher De
Seitenzahl/Blattzahl: 624
Themenüberschrift: HISTORY / Medieval
Keyword: art; art book; history books; art books; history books for adults; art books for adults; manuscript book; design books; anglo saxon history books; meetings with remarkable manuscripts; manuscript; european history; hidden hands the lives of manuscripts and their makers; european art of the seventeenth century; non fiction books; non fiction; top non fiction books; books for men non fiction; literary gifts; bookish gifts; literary gifts for book lovers; book gifts; book gift; gift for dad; gift for men; gift for grandad; european; outdoor europe
Fachschema: Englische Bücher / Geschichte, Kulturgeschichte, Zeitgeschichte~Europa / Geschichte, Kulturgeschichte~Handschrift (Manuskript)~Schrift / Handschrift (Manuskript)~Kunstgeschichte~Mittelalter (Literatur)~Religionsgeschichte~Mittelalter
Fachkategorie: Kunstgeschichte~Geschichte allgemein und Weltgeschichte~Europäische Geschichte: Mittelalter~Geschichte der Religion
Imprint-Titels: Penguin
Länge: 198 mm
Breite: 129 mm
Höhe: 35 mm
Gewicht: 500 gr
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SKU: 71454336690

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Solid mineral SPF with light coverage effect
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I’m used to La Roche-Posay’s chemical sunscreens, so this was my first time trying their mineral version. The texture is actually quite nice for a mineral formula. It spreads evenly and doesn’t feel gritty or chalky. That said, it does take a bit longer to fully absorb compared to chemical SPFs. I’m already very pale, and I still notice a slight white cast. It’s not extreme, but it’s there. To be fair, most mineral sunscreens tend to do this, especially those using zinc oxide and titanium dioxide. Interestingly, on my skin it almost behaves like a very light tinted sunscreen. It slightly blurs and softens the appearance of minor blemishes and redness, which I appreciate on minimal-makeup days. It provides broad-spectrum SPF 50 protection and feels gentle on sensitive skin. I haven’t experienced irritation, pilling, or breakouts. It layers reasonably well over moisturizer but benefits from being applied in thin, well-blended layers, which adds some time to my morning routine so it's a little inconvenient. Overall, it’s a solid mineral option with good protection. Just expect a bit more blending time and a subtle cast.
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I searched far and wide for a safe mineral-based sunscreen for pregnancy. I settled on this one and I was not disappointed. It saved my skin from a lot of sunburn this summer! As other reviewers mentioned, it is harder to rub into the skin and can leave a whiteish tint, but that’s a small price to pay for a pregnancy-safe option.
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Terrible, look like a ghost
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I love La Roche-Posay but unfortunately, I finally came across the first product I truly hate from them. This product is a complete white mask on your face and does not settle in at all. You’ll be walking around looking like a ghost all day and it gave me a mild irritation to my eyes.
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Phoenix, US
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Leaves white cast, works okay under makeup.
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First time using this sunscreen. I have very sensitive skin and thought since my skin tolerates their cleansers and moisturizers surely it should tolerate the sunscreen. So far so good. It’s very calming on my skin (maybe because of the zinc), but it leaves a noticeable white cast especially if you have dark skin. I wear mine under makeup and have a separate sunscreen from another brand on days where I don’t want to wear makeup. The white cast actually acts as a blank base and helps my foundation to lay well. A tip I learned from makeup artists years ago. Sunscreens that leave a white cast cancels out your natural color and acts as a corrector, concealer and foundation to lay better and look more like skin. Think of it like painting on a blank canvas. The texture is not lotion like and is actually quite thick. make sure to moisturize well before apply this sunscreen. I’ll write an update if I notice any negative issues, but so far I’m content with it because of the purpose I'm using it for.
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