SKU: 58772837750

rare jugendstil 14ct gold moonstone ruby diamond target pendant

Sale price$1408.02 Regular price$1564.47
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Description

rare jugendstil 14ct gold moonstone ruby diamond target pendantBeschreibung: Ein leuchtender Mondstein steht im Mittelpunkt dieses eleganten Art Deco Anhngers. Sein traumhafter 10,00ct Cabochon schimmert in einer architektonischen, durchbrochen gearbeiteten Fassung aus sattfarbigem 14ct Gold. Ein lebhafter Rubin Kranz (insgesamt 0,80ct) umrahmt die runde Zarge, whrend funkelnde Diamantakzente darunter ein zarter, herzfrmiger Diamant darber tanzen und dem Schmuckstck einen ppigen, edelsteinbesetzten Abschluss

Beschreibung:

Ein leuchtender Mondstein steht im Mittelpunkt dieses eleganten Art Deco -Anhängers. Sein traumhafter 10,00ct-Cabochon schimmert in einer architektonischen, durchbrochen gearbeiteten Fassung aus sattfarbigem 14ct-Gold. Ein lebhafter Rubin-Kranz (insgesamt 0,80ct) umrahmt die runde Zarge, während funkelnde Diamantakzente – darunter ein zarter, herzförmiger Diamant – darüber tanzen und dem Schmuckstück einen üppigen, edelsteinbesetzten Abschluss verleihen.

Mit seinen geschwungenen Linien und der klaren Geometrie trägt das Design unverkennbar den Geist des Jugendstils in sich und vereint organische Anmut mit präziser, durchdachter Struktur. Die kunstvoll von Hand gearbeiteten Fassungen versprechen bleibende Eleganz und Tragekomfort – ein ausdrucksstarkes Schmuckstück, das zugleich romantisch und skulptural wirkt.

Details zum Stück:

EPOCHE: Art Deco (1920–1939).

MAßE: Anhänger ist 52 mm lang (inklusive Öse).
Der Anhänger ist 31 mm breit.
Rubine haben einen Durchmesser von 2 mm, zusammen ca. 0,80ct.
Der herzförmige Diamant misst 3 mm x 3 mm, etwa 0,10ct.
Kleinere Diamanten haben einen Durchmesser von 1 mm.
Der Mondstein-Cabochon misst 14 mm im Durchmesser, ca. 10,00ct.
GEWICHT: 8,9 g.

MATERIALIEN: Geprüft als 14ct-Gold, Rubin (0,80ct), Mondstein (10,00ct), Diamant (0,10ct).

PUNZEN: 585, Blatt-Punze.

FEINGEHALTSSTEMPEL: Da wir dieses Stück auf die Zeit vor 1950 datiert haben, ist gemäß britischer Gesetzgebung kein Feingehaltsstempel für den Verkauf erforderlich.

VERPACKUNG: Ihre Bestellung wird kostenfrei als Geschenk verpackt – in einer Lillicoco-Pappschachtel aus Recyclingmaterial, mit einem Band versehen.

Zustand:

HERVORRAGEND: Alle Edelsteine sind leuchtend und sicher gefasst, ohne nennenswerte Absplitterungen oder Kratzer. Das Gold bewahrt einen schönen Glanz mit nur leichten altersgemäßen Gebrauchsspuren. Die Fassungen sind klar und bestens erhalten, ohne erkennbare Reparaturen.

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SKU: 58772837750

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4.8 ★★★★★
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Tim M.
Battle Creek, US
★★★★★ 5
Great gift idea!
Denomination: 0, Design Name: You're the best. (Animated)
Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
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Madison
Carnegie, US
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
Denomination: 0, Design Name: You're the best. (Animated)
Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
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Paul Frandano
Omaha, US
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding. Serious. Hilarious. Wise. Faux-wise. Scholarly. Mock-scholarly. Observant. Absurdly, obsessively observant. Sharp characterizations. Ridiculous characters. Devout. Bawdy. Endearing. Frustrating. Genius. Barking mad. Narratively incoherent. Stream-of-consciousness associative. Consistently provincial. Profoundly universal. Mired in the 18th century. Harbinger of 20th century literary Modernism. Baffling. Brilliant Not for every taste. For my taste. And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more. And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
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Ritesh Laud
Massapequa, US
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters. I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story. Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict. It's not trying to teach anything, really. So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count. I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up: "No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations." It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005
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Diogenes
Chelsea, US
★★★★★ 3
Interesting read, but takes some getting used to
I heard about this book on a blog, and figured I'd check it out. It's the rambling tale of a man determined to give you every last detail of everything that might be important to the narrative of his life. Unfortunately, he goes on tangets so often that he doesn't even get to his birth for several chapters, let alone the story of the rest of his life. Along the way, you're introduced to lots of random characters who are (at best) loosely related to the protagonist, but as often as not these tangents are fairly amusing. The writing is pretty dense, and this along with the tangents had me putting the book down fairly often. It's probably ideal for a commuting book, but I never wanted to just sit down and blitz through big chunks of it. Overall it's a very different kind of experience than a novel reader typically gets. It's worth a read for a change of pace, but I can't say it's a life-altering read.
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Reviewed in the United States on March 21, 2013

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